Dostoevsky as Suicidologist
Self-Destruction and the Creative Process
Seiten
2022
Lexington Books (Verlag)
978-1-7936-0783-6 (ISBN)
Lexington Books (Verlag)
978-1-7936-0783-6 (ISBN)
Through an analysis of suicide in Fyodor Dostoevsky’s writings, Amy D. Ronner illustrates how his implicit awareness of self-homicide pre-figured theories of prominent suicidologists, shaped both his philosophy and craft as a writer, and forged a ligature between artistry and the pluripresent impulse to self-annihilate.
In Dostoevsky as Suicidologist, Amy D. Ronner illustrates how self-homicide in Fyodor Dostoevsky’s fiction prefigures Emile Durkheim’s etiology in Suicide as well as theories of other prominent suicidologists. This book not only fills a lacuna in Dostoevsky scholarship, but provides fresh readings of Dostoevsky’s major works, including Notes from The House of the Dead, Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov. Ronner provides an exegesis of how Dostoevsky’s implicit awareness of fatalistic, altruistic, egoistic, and anomic modes of self-destruction helped shape not only his philosophy, but also his craft as a writer. In this study, Ronner contributes to the field of suicidology by anatomizing both self-destructive behavior and suicidal ideation while offering ways to think about prevention. But most expansively, Ronner tackles the formidable task of forging a ligature between artistic creation and the pluripresent social fact of self-annihilation.
In Dostoevsky as Suicidologist, Amy D. Ronner illustrates how self-homicide in Fyodor Dostoevsky’s fiction prefigures Emile Durkheim’s etiology in Suicide as well as theories of other prominent suicidologists. This book not only fills a lacuna in Dostoevsky scholarship, but provides fresh readings of Dostoevsky’s major works, including Notes from The House of the Dead, Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov. Ronner provides an exegesis of how Dostoevsky’s implicit awareness of fatalistic, altruistic, egoistic, and anomic modes of self-destruction helped shape not only his philosophy, but also his craft as a writer. In this study, Ronner contributes to the field of suicidology by anatomizing both self-destructive behavior and suicidal ideation while offering ways to think about prevention. But most expansively, Ronner tackles the formidable task of forging a ligature between artistic creation and the pluripresent social fact of self-annihilation.
Amy D. Ronner is professor emeritus of law at St. Thomas University and author of Dostoevsky and the Law.
Acknowledgments
Chapter 1: Introduction: Suicide as a Social Fact
Chapter 2: Fatalistic Convulsions in Notes From the House of the Dead
Chapter 3: Egoistic Self-Deceminantion in Crime and Punishment and The Idiot
Chapter 4: Anomy in Demons and The Brothers Karamazov
Chapter 5: Conclusion: The Antonymous Creative Process
Bibliography
Index
About the Author
| Erscheinungsdatum | 16.01.2021 |
|---|---|
| Reihe/Serie | Crosscurrents: Russia's Literature in Context |
| Verlagsort | Lanham, MD |
| Sprache | englisch |
| Maße | 152 x 228 mm |
| Gewicht | 476 g |
| Themenwelt | Geisteswissenschaften ► Psychologie ► Persönlichkeitsstörungen |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-7936-0783-4 / 1793607834 |
| ISBN-13 | 978-1-7936-0783-6 / 9781793607836 |
| Zustand | Neuware |
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