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Persecution, Collaboration, Resistance

Music in the ‘Reichskommissariat Norwegen’ (1940–45)

Ina Rupprecht (Herausgeber)

Buch | Softcover

184 Seiten

2020
Waxmann (Verlag)
978-3-8309-4130-9 (ISBN)

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When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. The diversity of Norway during the occupation is presented in this book, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only exemples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation.

When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the 'Reichskommissariat Norwegen' (responsible for culture and therein music together with the Norwegian puppet regime's department for culture) implemented the adaption to the new, official National Socialist guidelines.The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation.Including Norway into the international discourse on 'Music and Nazism', the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.

Prof. Dr. Michael Custodis ist Professor für Musik der Gegenwart und Systematische Musikwissenschaft an der Westfälischen Wilhelms-Universität Münster. Neben der AuseinanderSetzung mit NS-Kontinuitäten im deutschen Nachkriegsmusikleben arbeitet er u.a. über musiksoziologische Themen, Musik des 20. und 21. Jahrhunderts sowie Wechselwirkungen zwischen „populärer“ und „klassischer“ Musik.

Arnulf Christian Mattes is Associated Professor of Musicology and leader of the Grieg Research Centre at the University of Bergen. He is project partner in the Research cooperation “Nordic Music” – Resistance, Persecution, Collaboration, and Reintegration in Norway’s Music Life 1930–1960.

Ina Rupprecht is research associate in the project ‘Nordic Music Politics – The German Dominance of Music in Norway 1930–1945’, led by Michael Custodis at the Department of Musicology, University of Münster.

Erscheinungsdatum	26.09.2020
Reihe/Serie	Münsteraner Schriften zur zeitgenössischen Musik ; 5
Co-Autor	Sjur Haga Bringeland, Andreas Bußmann, Michael Custodis, Manfred Heidler, Arnulf Christian Mattes, Ina Rupprecht, Arvid O. Vollsnes
Sprache	englisch
Maße	170 x 240 mm
Gewicht	361 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Musikgeschichte
	Geisteswissenschaften ► Geschichte ► Allgemeine Geschichte
	Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte
Schlagworte	1940 • 1942 • 1945 • Acoustic Symbolism • ART • Composer • Compulsion • Concentration Camp • female • Leisure • Music Censorship • Music Competition • Nationalsozialismus • Nordic • Norway • Norwegian Society of Composers • occupied norway • Prison • Repression • Solace • Troop Entertainment
ISBN-10	3-8309-4130-7 / 3830941307
ISBN-13	978-3-8309-4130-9 / 9783830941309
Zustand	Neuware