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Thomas Heywood and the Classical Tradition -

Thomas Heywood and the Classical Tradition

Buch | Hardcover
344 Seiten
2021
Manchester University Press (Verlag)
978-1-5261-4023-4 (ISBN)
CHF 148,35 inkl. MwSt
This collection offers a groundbreaking study of Thomas Heywood’s fascinatingly individual engagement with the classics across his writing career. It considers the wide diversity of genres to which he contributed, including dramas, translations, compendia, and iconographical designs, and attends to the shaping role of classics in his authorial self-fashioning and idiosyncratic aesthetic. -- .
This volume offers the first in-depth investigation of Thomas Heywood’s engagement with the classics. Its introduction and twelve essays trace how the classics shaped Heywood’s work in a variety of genres across a writing career of over forty years, ranging from drama, epic and epyllion, to translations, compendia and the design of a warship for Charles I. Close readings demonstrate the influence of a capaciously conceived classical tradition that included continental editions and translations of Latin and Greek texts, early modern mythographies and the medieval tradition of Troy. They attend to Heywood’s thought-provoking imitations and juxtapositions of these sources, his use of myth to interrogate gender and heroism, and his turn to antiquity to celebrate and defamiliarise the theatrical or political present. Heywood’s better-known works are discussed alongside critically neglected ones, making the collection valuable for undergraduates and researchers alike. -- .

Tania Demetriou is lecturer at the Faculty of English at the University of Cambridge Janice Valls-Russell is a principal research associate of France’s National Centre for Scientific Research (CNRS) at the University Paul Valéry, Montpellier -- .

Introduction: Thomas Heywood and ‘the antique world’
Janice Valls-Russell and Tania Demetriou
1 Intertextuality and Thomas Heywood’s early Ovid: Oenone and Paris
Katherine Heavey
2 Thomas Heywood’s Loves Schoole: emulation, adaptation, and anachronism
M. L. Stapleton
3 Rescripting classical stories of rape from page to stage: Lucrece and Callisto
Janice Valls-Russell
4 ‘Interlaced with sundry histories’: the open structure of The Silver Age
Yves Peyré
5 A ‘glorious Greek’? Thomas Heywood and Hercules
Richard Rowland
6 The not-so-classical tradition: mythographic complexities in 1 Iron Age
Charlotte Coffin
7 Reading the classics, but how? mythographic paradigms and ‘ill-joined marquetry’
Yves Peyré
8 Compendious poetry: Homer and Ausonius in Thomas Heywood’s Various History Concerninge Women
Tania Demetriou
9 ‘The scene lies in Hel’: the world of Lucian in Thomas Heywood’s ‘stage-poetry’
Camilla Temple
10 Acting like Greeks
Tanya Pollard
11 A theatre for the Iron Age: theorising practice in Thomas Heywood’s Ages plays
Chloe Kathleen Preedy
12 The Sovereign of the Seas: Thomas Heywood’s 3D engagement with the classics
Janice Valls-Russell

Appendix: Heywood’s works: a chronological table
Select bibliography
Index -- .

Erscheinungsdatum
Zusatzinfo 6 B&W figures, 1 B&W plate, 2 tables
Verlagsort Manchester
Sprache englisch
Maße 156 x 234 mm
Gewicht 662 g
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-5261-4023-3 / 1526140233
ISBN-13 978-1-5261-4023-4 / 9781526140234
Zustand Neuware
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