Timbre
Bloomsbury Academic USA (Verlag)
978-1-5013-6581-2 (ISBN)
As the aesthetic and epistemological questions foregrounded by timbre are not restricted to isolated periods in music history or individual genres, but have pervaded Western musical aesthetics since early Modernity, the book discusses musical examples taken from both “classical” and “popular” music. These range, in “classical” music, from the Middle Ages through the Baroque, the belcanto opera and electronic music to saturated music; and, in “popular” music, from indie through soul and ballad to dark industrial.
Isabella van Elferenis Professor of Music, School Director of Research and Enterprise and Director of the Visconti Studio at Kingston University, UK. She is the author of Mystical Love in the German Baroque (2009), Gothic Music: The Sounds of the Uncanny (2012), Goth Music: From Sound to Subculture (with Jeffrey Weinstock, 2015), and editor of Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day (2007).
List of Illustrations
Acknowledgments
Introduction
1. Ecologies of Sonorous Difference
2. Index, Icon, Grain
3. Excess, Sublime, Lure
4. Vibration and Vitality
5. Aesthetics of Vibration
Threshold
References
Erscheinungsdatum | 13.11.2020 |
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Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 508 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
Geisteswissenschaften ► Philosophie | |
ISBN-10 | 1-5013-6581-9 / 1501365819 |
ISBN-13 | 978-1-5013-6581-2 / 9781501365812 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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