Klassik - Kunst der Könige
Kings and Greek Art in the 4th Century B.C./ Tagung an der Universität Zürich vom 18.-20. Januar 2018
Seiten
2020
|
1., Aufl.
VML Vlg Marie Leidorf (Verlag)
978-3-86757-667-3 (ISBN)
VML Vlg Marie Leidorf (Verlag)
978-3-86757-667-3 (ISBN)
Die wichtigsten Auftraggeber von griechischer Kunst im 4. Jahrhundert v.Chr. waren dynastische Herrscher am westlichen Rand des Perserreichs. Diese politische, soziale und räumliche Verortung der Klassik widerspricht der überkommenen Auffassung von der Bindung der klassischen Kunst an die freie griechische Polis. Im vorliegenden Tagungsband gelingt es den Autoren, charakteristische Merkmale, Medien und Themen der 'Kunst der Könige' im 4. Jahrhundert v.Chr. herauszuarbeiten und vertieft nach den Gründen für die Wahl des griechischen Stils zu fragen. Die 15 Beiträge geben damit anhand archäologischer, epigraphischer und literarischer Quellen vielfältige Einblicke in das Kunstschaffen, die Architektur und das kulturelle Leben in Kleinasien, auf Zypern und in der Levante, aber auch im nordägäischen Raum und im Schwarzmeergebiet. Das 4. Jahrhundert v.Chr. kann in dieser Perspektive als Kunstepoche mit grosser Dynamik und Innovationskraft verstanden werden, welche die Vorlage für das Kunstschaffen an den hellenistischen Königshöfen bilden wird.
In the 4th century B.C., the most important patrons of Greek art were dynastic rulers at the western edges of the Persian Empire. This political, social and spatial context contradicts the dated idea that Classical art was particularly connected to the free Greek polis. The papers collected in this volume of conference proceedings succeed in outlining characteristic aspects, media and topics of this 4th century “royal art”, as well as asking more profound questions about why this Greek style was chosen. The 15 contributions make use of archaeological, epigraphic and written sources, thus providing multifaceted insights into artistic creation, architecture and cultural life in Asia Minor, Cyprus and the Levant, as well as in the northern Aegean and Black Sea regions. Seen from this perspective, the 4th century B.C. emerges as a highly dynamic artistic period with great innovative power, which was to provide the template for artistic production in the Hellenistic royal courts. In the 4th century B.C., the most important patrons of Greek art were dynastic rulers at the western edges of the Persian Empire. This political, social and spatial context contradicts the dated idea that Classical art was particularly connected to the free Greek polis. The papers collected in this volume of conference proceedings succeed in outlining characteristic aspects, media and topics of this 4th century “royal art”, as well as asking more profound questions about why this Greek style was chosen. The 15 contributions make use of archaeological, epigraphic and written sources, thus providing multifaceted insights into artistic creation, architecture and cultural life in Asia Minor, Cyprus and the Levant, as well as in the northern Aegean and Black Sea regions. Seen from this perspective, the 4th century B.C. emerges as a highly dynamic artistic period with great innovative power, which was to provide the template for artistic production in the Hellenistic royal courts.
In the 4th century B.C., the most important patrons of Greek art were dynastic rulers at the western edges of the Persian Empire. This political, social and spatial context contradicts the dated idea that Classical art was particularly connected to the free Greek polis. The papers collected in this volume of conference proceedings succeed in outlining characteristic aspects, media and topics of this 4th century “royal art”, as well as asking more profound questions about why this Greek style was chosen. The 15 contributions make use of archaeological, epigraphic and written sources, thus providing multifaceted insights into artistic creation, architecture and cultural life in Asia Minor, Cyprus and the Levant, as well as in the northern Aegean and Black Sea regions. Seen from this perspective, the 4th century B.C. emerges as a highly dynamic artistic period with great innovative power, which was to provide the template for artistic production in the Hellenistic royal courts. In the 4th century B.C., the most important patrons of Greek art were dynastic rulers at the western edges of the Persian Empire. This political, social and spatial context contradicts the dated idea that Classical art was particularly connected to the free Greek polis. The papers collected in this volume of conference proceedings succeed in outlining characteristic aspects, media and topics of this 4th century “royal art”, as well as asking more profound questions about why this Greek style was chosen. The 15 contributions make use of archaeological, epigraphic and written sources, thus providing multifaceted insights into artistic creation, architecture and cultural life in Asia Minor, Cyprus and the Levant, as well as in the northern Aegean and Black Sea regions. Seen from this perspective, the 4th century B.C. emerges as a highly dynamic artistic period with great innovative power, which was to provide the template for artistic production in the Hellenistic royal courts.
| Erscheinungsdatum | 31.03.2020 |
|---|---|
| Reihe/Serie | Zürcher Archäologische Forschungen ; 7 |
| Verlagsort | Rahden/Westf. |
| Sprache | englisch; deutsch |
| Maße | 210 x 297 mm |
| Gewicht | 1430 g |
| Einbandart | gebunden |
| Themenwelt | Geschichte ► Allgemeine Geschichte ► Altertum / Antike |
| Schlagworte | Grabbau • Griechen • Hellenismus • König • Münzen • Totenkult |
| ISBN-10 | 3-86757-667-X / 386757667X |
| ISBN-13 | 978-3-86757-667-3 / 9783867576673 |
| Zustand | Neuware |
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