The Death of Vivek Oji (eBook)

Akwaeke Emezi (Autor)

eBook Download: EPUB

2020 | 1. Auflage
304 Seiten
Faber & Faber (Verlag)
978-0-571-35101-5 (ISBN)

Infos

**LITTLE ROT - THE NEW NOVEL FROM AKWAEKE EMEZI - IS AVAILABLE TO PRE-ORDER NOW** SHORTLISTED FOR THE DYLAN THOMAS PRIZE 'Astonishing.' Stylist 'Electrifying.' O: The Oprah Magazine 'Brilliant and heartbreaking.' Marie Claire 'Propulsive and resonant.' Esquire They burned down the market on the day Vivek Oji died. One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father, and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognize himself. Teeming with unforgettable characters whose lives have been shaped by Vivek's gentle and enigmatic spirit, it shares with us a Nigerian childhood that challenges expectations. This novel, and its celebration of the innocence and optimism of youth will touch all those who embrace it.

Akwaeke Emezi (they/them) is the author of the memoir Dear Senthuran; New York Times bestseller The Death of Vivek Oji, which was longlisted for the Dylan Thomas Prize; Pet, a finalist for the National Book Award for Young People's Literature; and Freshwater, which was named a New York Times Notable Book, longlisted for both the Wellcome Book Prize and the Women's Prize for Fiction and shortlisted for the PEN/Hemingway Award, the New York Public Library Young Lions Fiction Award, the Lambda Literary Award, and the Center for Fiction's First Novel Prize. Selected as a 5 Under 35 honoree by the National Book Foundation, they are based in liminal spaces.

Rezensionen

This book lured me in from the first sentence. It shook me to the core. This book forges its own glorious path. Read it now. Give it to everyone you know. Read it again.

Emezi ... is an old - an ancient - storyteller: thrillingly at home in the tradition of griots, poets, seers and seekers.

Emezi's surreal prose shines. extraordinary.

Textauszug

Two

If this story was a stack of photographs—the old kind, rounded at the corners and kept in albums under the glass and lace doilies of center tables in parlors across the country—it would start with Vivek’s father, Chika. The first print would be of him riding a bus to the village to visit his mother; it would show him dangling an arm out of the window, feeling the air push against his face and the breeze entering his smile.

Chika was twenty and as tall as his mother, six feet of red skin and suntouched-clay hair, teeth like polished bones. The women on the bus looked openly at him, his white shirt billowing out from the back of his neck in a cloud, and they smiled and whispered among themselves because he was beautiful. He had looks that should have lived forever, features he passed down to Vivek—the teeth, the almond eyes, the smooth skin—features that died with Vivek.

The next photograph in the stack would be of Chika’s mother, Ahunna, sitting on her veranda when her son arrived, a bowl of udara beside her. Ahunna’s wrapper was tied around her waist, leaving her breasts bare, and her skin was redder than Chika’s, deeper and older, like a pot that had been bled over in its firing. She had fine wrinkles around her eyes, hair plaited into tight cornrows, and her left foot was bandaged and propped up on a stool.

“Mama! Gịnị mere?!” Chika cried when he saw her, running up the veranda stairs. “Are you all right? Why didn’t you send someone?”

“There was no need to disturb you,” Ahunna replied, splitting open an udara and sucking out its flesh. The large compound of her village house stretched around them—old family land, a whole legacy in earth that she’d held on to ever since Chika’s father died several years ago. “I stepped on a stick when I was on the farm,” she explained, as her son sat down beside her. “Mary took me to the hospital. Everything is fine now.” She spat udara seeds from her mouth like small black bullets.

Mary was his brother Ekene’s wife, a full and soft girl with cheeks like small clouds. They had married a few months ago, and Chika had watched Mary float down the aisle, white lace gathered around her body and a veil obscuring her pretty mouth. Ekene had been waiting for her at the altar, his spine stern and proud, his skin gleaming like wet loam against the tarred black of his suit. Chika had never seen his brother look so tender, the way his long fingers trembled, the love and pride simmering in his eyes. Mary had to tilt her head up to look at Ekene as they recited their vows—the men in their family were always tall—and Chika had watched her throat curve, her face glowing as his brother lifted up the tulle and kissed her. After the wedding, Ekene decided to move out of the village and into town, into the bustle and noise of Owerri, so Mary was staying with Ahunna while Ekene went to set up their new life. Chika stole a glance at Mary from the veranda as she watered the hibiscus garden, her hair tied back in a frayed knot, wearing a loose cotton dress in a faded floral print. She looked like home, like something he could fall into, whirling through her hips and thighs and breasts.

His mother frowned at him. “Mind yourself,” she warned, as if she could read his mind. “That’s your brother’s wife.”

Chika’s face burned. “I don’t know what you’re talking about, Mama.”

Ahunna didn’t blink. “Go and find your own wife, just don’t start any wahala in this house with this girl. Your brother is coming to collect her soon.”

Chika reached out and took her hand. “I’m not starting anything, Mama.” She scoffed but didn’t pull her hand away. They sat like that, another picture, as the evening pulled across the veranda and sky, and something boiled slow and hot in Chika, thrumming at the back of his throat. This was before Vivek, before the fire, before Chika would discover exactly how difficult it was to dig his own grave with the bones of his son.

*

When Ahunna’s wound healed, it left a scar on the instep of her foot—a dark brown patch shaped like a limp starfish. Her son Ekene came and took his wife to their new house in Owerri, a white bungalow with flame-of-the-forest growing by the gate and guava trees lined up by the fence, and Chika visited them there. These would be the happy pictures: Mary smiling in her kitchen; Mary plaiting her hair with extensions and singing with her full throat in her church choir; Mary and Chika gisting in the kitchen while she cooked. Ekene had no patience for talkative women and he wasn’t the jealous type, so he didn’t mind that his junior brother and his wife got along so well.

As for Chika, the thing boiling inside him took on a new heat whenever he was around Mary. It sang and bubbled and scalded him where no one could see. He joked to his family that he just liked being in a house with a woman in it, rather than his empty bachelor flat, and Mary believed him—until one afternoon when he stepped behind her as she was cooking and put his mouth on the back of her neck. She whirled and started beating him with the long wooden spoon she was using to make garri.

“Are you mad?” she shouted, flecks of hot garri spitting off her spoon and burning the forearms he’d raised to block her blows. “What do you think you’re doing?”

“Sorry! Sorry!” He dropped to his knees, bowing his head under his arms. “Biko, Mary, stop! I won’t do it again, I swear!”

She paused, breathing hard, her face confused and hurt.

“What’s your problem, ehn? Why must you try and spoil everything? Ekene and I are happy, you hear? We’re happy.”

“I know. I know.” Chika stood up slowly, one reversed knee at a time, keeping his hands up and looking into her eyes. “I know. I don’t want to spoil anything. Please, forgive me.”

Mary shook her head. “You can’t continue coming here if this is what you’re coming for.” Chika wanted to reach out to her, but her knuckles were tight around the spoon.

“I know,” he said, keeping his voice soft.

“I’m not joking,” she said. “Don’t come back with this nonsense.”

Chika looked at the tears hanging wet inside her eyes and he put his hands down.

“I hear you. I swear, from now on, you’re just my sister.” He felt her eyes on him as he reached for his car keys. “I’m going. I’ll see you next week. Please, let’s just forget today, okay?”

Mary said nothing. She just watched as he left, her fingers relaxing against the curved wood of the handle only when the door closed behind him.

*

For the next several months, Chika kept his distance from Owerri. He got a job as an accountant at a glass factory in Ngwa, the market town he had moved to when he left the village. The company doctor there was Dr. Khatri, a pale Indian man with shocks of gray hair at his temples. Sometimes, Dr. Khatri would bring in his niece, Kavita, to help with administrative work. The first time Chika met her, he’d gone in to see the doctor about a cough and Kavita was at the front desk with files heaped around her, frowning as she flipped through them. She was a small woman with dark brown skin and a thick braid of black hair hanging past her waist. That morning, she was wearing an orange cotton dress; she looked like a burning sunset, and Chika knew immediately that his story would end with her, that he would drown in her large liquid eyes and it would be the perfect way to go. There was nothing boiling in him, just a loud and clear exhale, a weight of peace wrapping around his heart. Kavita looked up and smiled at him, and somehow Chika found the liver to ask her to lunch. It surprised them both when she said yes, as did the affection that unfurled between them in the weeks that followed.

When it became apparent how serious their courtship was getting, the doctor invited Chika to their home, where Kavita served them tea and small bowls of murukku. Her wrists were delicate, and her dark hair rained off her shoulders. Dr. Khatri told Chika how, after her parents died, Kavita had passed into his care, eventually coming with him all the way from India to Nigeria. “We had some … family problems back in Delhi,” he said. “Because of her father’s caste. It was better to make a fresh start.” Chika nodded. That was the same reason he chose not to live in the same town as any of his family. Fresh starts were good; that separateness was where you could feel yourself, where you could learn who you were apart from everyone else.

Picture: the young couple in the back garden after dinner, walking along a line of bare rosebushes, Kavita running her fingers gently over the branches.

“I can’t wait for these to bloom,” she said. “I used to hate the smell of roses back when we lived in Delhi, but my uncle loves them, and...

Produkt-Details

• Erscheint lt. Verlag: 4.8.2020
• Verlagsort: London
• Sprache: englisch
• Themenwelt: Literatur ► Romane / Erzählungen
• Themenwelt: Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
• Themenwelt: Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
• Schlagworte: bernardine evaristo • Freshwater • Girl Woman Other • Igbo • LGBTQ • multiplicity • Nigeria • ogbanje • PET • Such a Fun Age • the vanishing half • Trans • Why I'm Not Talking to White People About Race • women's prize for fiction longlist
• ISBN-10: 0-571-35101-8 / 0571351018
• ISBN-13: 978-0-571-35101-5 / 9780571351015