Sentient Relics

Museums and Cinematic Affect

Janice Baker (Autor)

Buch | Softcover

140 Seiten

2020
Routledge (Verlag)
978-0-367-19306-5 (ISBN)

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Sentient Relics explores museums through cinema and challenges the dominant focus of museum theory as an inclusion–exclusion debate. The author responds to the Enlightenment, ‘rational’ museum of reason contrasting this with the museum of affect and reveals these ‘two museums’ operating alongside one another in a productive paradox. In structuralist-orientated museum theory the affective realm is often subsumed within the imperatives of Marxist theory and practice, identity politics, semiology and psychoanalysis. Sentient Relics, while valuing the insights of ideologically focused meaning-making, turns to the capacity of the affective realm of experience to transform the passive subject and object relation. The author uses museum encounters and cinematic affect to engage with problems of difference, temporality, emotion and the sublime. In so doing the book advances research in museum studies by demonstrating what is at stake in pragmatically working toward a deeper understanding of the museum socially, culturally and philosophically.

Janice Baker is a lecturer in the School of Media, Culture and Creative Arts at Curtin University, Perth, Western Australia.

Acknowledgements

Illustrations

Introduction

1 Museum Trouble: Complicating the ‘new’ inclusion

Reading the gallery in silent film

The inclusion dilemma

A difficult heritage

The ‘new’ museology

Demanding objects

Museum ‘blockbusters’

2 Fissures and Cracks: Unfettering identity from the ‘new’ inclusion

Object autopoeisis

‘The crack’

Institutional autotelicity and rhizomatic objects

Re-invigorating the fetish

Actually, virtually becoming-animal

Curiously resistant

3 Outcasting Oedipus: The autonomy of affecting experience

The sublime as a discourse of loss

Ekstasis: From Longinus to Lyotard

What about the body!

Affectus: One unfolding substance

Cultural objects and the transmission of affect

The duality of affect

4 Show Time! Psychoanalysing the museum to death

Ghostbusters: Green slime and a dangerous portrait

Viewing pleasures: Phantasy or lines of flight

The Topkapi imaginary: The museum as phallic (m)other

Night at the Museum: The museum as object a

Horror museums: Beyond abjection

Post Lacan: Restoring affect to cinema

5 Dangerous Identity: Museums in Vertigo and the ‘truth’ of false objects

The mental-image: Inside the deceived self

The abyss or the power of eternal return

Signs of time: Escaping dusty semiology

The fatal spiral: Identity and obsession

6 Museums and cinematic time

Mischievous dream worlds: musicals in the gallery

Moving stillness: A thinking cinema

Marking time in La Jetée

Night and Fog: Difficult heritage and the time-image

Russian Ark: In any moment

The storm we call progress

Filmography

Bibliography

Index

Erscheinungsdatum	24.12.2019
Verlagsort	London
Sprache	englisch
Maße	156 x 234 mm
Gewicht	240 g
Themenwelt	Kunst / Musik / Theater
	Reisen ► Reiseführer
	Geisteswissenschaften ► Geschichte ► Hilfswissenschaften
	Sozialwissenschaften ► Kommunikation / Medien ► Buchhandel / Bibliothekswesen
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
ISBN-10	0-367-19306-X / 036719306X
ISBN-13	978-0-367-19306-5 / 9780367193065
Zustand	Neuware