A Taste for the Foreign
Worldly Knowledge and Literary Pleasure in Early Modern French Fiction
Seiten
2011
University of Delaware Press (Verlag)
978-1-64453-139-6 (ISBN)
University of Delaware Press (Verlag)
978-1-64453-139-6 (ISBN)
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A Taste for the Foreign examines foreignness as a crucial aesthetic category for the development of prose fiction from Jacques Amyot’s 1547 translation of The Ethiopian Story to Antoine Galland’s early eighteenth-century version of The Thousand and One Nights. While fantastic storylines and elements of magic were increasingly shunned by a neo-classicist literary culture that valued verisimilitude above all else, writers and critics surmised that the depiction of exotic lands could offer a superior source for the novelty, variety, and marvelousness that constituted fiction’s appeal. In this sense, early modern fiction presents itself as privileged site for thinking through the literary and cultural stakes of exoticism, or the taste for the foreign. Long before the term exoticism came into common parlance in France, fiction writers thus demonstrated their understanding of the special kinds of aesthetic pleasure produced by evocations of foreignness, developing techniques to simulate those delights through imitations of the exotic. As early modern readers eagerly consumed travel narratives, maps, and international newsletters, novelists discovered ways to blur the distinction between true and imaginary representations of the foreign, tantalizing readers with an illusion of learning about the faraway lands that captured their imaginations.
This book analyzes the creative appropriations of those scientific or documentary forms of writing that claimed to inform the French public about exotic places. Concentrating on the most successful examples of some of the most important sub-genres of prose fiction in the long seventeenth century—heroic romances, shorter urban novels, fictional memoirs, and extraordinary voyages—the book examines how these types of fiction creatively appropriate the scientific or documentary forms of writing that claimed to inform the French public about exotic places.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
This book analyzes the creative appropriations of those scientific or documentary forms of writing that claimed to inform the French public about exotic places. Concentrating on the most successful examples of some of the most important sub-genres of prose fiction in the long seventeenth century—heroic romances, shorter urban novels, fictional memoirs, and extraordinary voyages—the book examines how these types of fiction creatively appropriate the scientific or documentary forms of writing that claimed to inform the French public about exotic places.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Ellen R. Welch is Professor of French at the University of North Carolina, Chapel Hill
Manufacturing foreignness: exoticism, commodities, and the novel
Fiction and the aesthetics of foreignness
Armchair conquests: heroic romance and the cartographies of desire
Cosmopolitan seductions: city guides and Parisian novels
Secret agents, foreign courts: international voyeurism in memoir fictions
Consuming curiosities in extraordinary voyage novels
L'utile et l'agréable in the age of orientalism
| Erscheinungsdatum | 23.08.2019 |
|---|---|
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Romanistik | |
| ISBN-10 | 1-64453-139-9 / 1644531399 |
| ISBN-13 | 978-1-64453-139-6 / 9781644531396 |
| Zustand | Neuware |
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