Dubious Equalities and Embodied Differences
Cultural Studies on Cosmetic Surgery
Seiten
2003
Rowman & Littlefield Publishers (Verlag)
978-0-7425-1420-1 (ISBN)
Rowman & Littlefield Publishers (Verlag)
978-0-7425-1420-1 (ISBN)
This work explores cosmetic surgery as a cultural phenomenon of late modernity. It shows how cosmetic surgery has been represented in medicine and popular culture, drawing upon a range examples taken from the media, music, performance art and literature.
Dubious Equalities and Embodied Differences explores cosmetic surgery as a cultural phenomenon of late modernity. From its onset as a medical specialty at the end of the nineteenth century, cosmetic surgery has been intimately liked to discourses of 'normalcy,' as well as to gender, race, and other categories of difference that have shaped its technologies and techniques, its professional ideologies, and the objects of its interventions. Davis considers how cosmetic surgery is taken up in representations of cosmetic surgery in medical discourse and in popular culture, drawing on a wide range of cultural manifestations including televised 'infotainment,' popular music, performance art, surgeon biographies, stories of patients, public debates, and medical texts. Davis critically engages with the notion of cosmetic surgery as a neutral technology and shows how it is implicated in the surgical erasure of embodied difference.
Dubious Equalities and Embodied Differences explores cosmetic surgery as a cultural phenomenon of late modernity. From its onset as a medical specialty at the end of the nineteenth century, cosmetic surgery has been intimately liked to discourses of 'normalcy,' as well as to gender, race, and other categories of difference that have shaped its technologies and techniques, its professional ideologies, and the objects of its interventions. Davis considers how cosmetic surgery is taken up in representations of cosmetic surgery in medical discourse and in popular culture, drawing on a wide range of cultural manifestations including televised 'infotainment,' popular music, performance art, surgeon biographies, stories of patients, public debates, and medical texts. Davis critically engages with the notion of cosmetic surgery as a neutral technology and shows how it is implicated in the surgical erasure of embodied difference.
Kathy Davis is associate professor of women's studies and humanities at Utrecht University in Amsterdam, The Netherlands.
Chapter 1 Introduction Chapter 2 Cosmetic Surgery in a Different Voice Chapter 3 Lonely Heroes and Great White Gods Chapter 4 The Rhetoric of Cosmetic Surgery Chapter 5 Surgical Stories Chapter 6 Surgical Passing Chapter 7 "My Body is My Art" Chapter 8 "A Dubious Equality"
| Erscheint lt. Verlag | 11.4.2003 |
|---|---|
| Reihe/Serie | Explorations in Bioethics and the Medical Humanities |
| Verlagsort | Lanham, MD |
| Sprache | englisch |
| Maße | 157 x 233 mm |
| Gewicht | 376 g |
| Themenwelt | Geisteswissenschaften ► Philosophie |
| Medizinische Fachgebiete ► Chirurgie ► Ästhetische und Plastische Chirurgie | |
| Sozialwissenschaften | |
| ISBN-10 | 0-7425-1420-X / 074251420X |
| ISBN-13 | 978-0-7425-1420-1 / 9780742514201 |
| Zustand | Neuware |
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Buch | Hardcover (2014)
Lehmanns Media / Elsevier (Verlag)
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