The Invention of Norman Visual Culture
Art, Politics, and Dynastic Ambition
Seiten
2020
Cambridge University Press (Verlag)
978-1-108-48816-7 (ISBN)
Cambridge University Press (Verlag)
978-1-108-48816-7 (ISBN)
This book is for those concerned with the study of cultural construction and identity politics. It explores iconic examples of Norman art including the Bayeux Embroidery (Tapestry), Durham Cathedral, the Cappella Palatina and St Étienne, Caen, establishing the commonalities of Norman visual culture across Normandy, England and Sicily.
In this book, Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy 'of different nationalities', the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.
In this book, Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy 'of different nationalities', the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.
Lisa Reilly is Associate Professor in the School of Architecture, University of Virginia. She is the author of An Architectural History of Peterborough Cathedral (1997) and Vassar College (2004), editor of Skyscraper Gothic (2017), and served as the editor of Gesta.
1. Introduction; 2. Vikings into Normans; 3. Anglo-Norman England: from duke to king; 4. Norman Sicily: the invention of a kingdom; 5. Conclusion; Selected bibliography; Index.
| Erscheinungsdatum | 20.02.2020 |
|---|---|
| Zusatzinfo | Worked examples or Exercises; 13 Plates, color; 47 Halftones, black and white |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 183 x 259 mm |
| Gewicht | 670 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geschichte ► Allgemeine Geschichte ► Mittelalter | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| ISBN-10 | 1-108-48816-1 / 1108488161 |
| ISBN-13 | 978-1-108-48816-7 / 9781108488167 |
| Zustand | Neuware |
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Buch | Hardcover (2023)
C.H.Beck (Verlag)
CHF 53,20
