Studien zur Musikarchäologie / Studien zur Musikarchäologie XI
Musikarchäologie aus anthropologischer Sicht./ Vorträge des 10. Symposiums der Internationalen Studiengruppe Musikarchäologie im Provinzmuseum Hubei, Wuhan, China, 21. – 25. Oktober 2016
Seiten
| Ausstattung: CD-ROM (Software)
2019
|
1., Aufl.
VML Vlg Marie Leidorf (Verlag)
978-3-89646-670-9 (ISBN)
VML Vlg Marie Leidorf (Verlag)
978-3-89646-670-9 (ISBN)
Der Band enthält einen Nachruf auf Ellen Hickmann [1934-2017], ein Vorwort der Herausgeber, 17 Aufsätze zur Musikarchäologie [13 x China, 2 x Antike, 2 x Schottland] und ein Autorenverzeichnis. Die Beiträge befassen sich mit dem Glockenspiel aus dem Grab des Markgrafen Yi von Zeng, Trommeln aus der Zeit der Streitenden Reiche, Lithophonen der Song-Dynastie, den Instrumenten des Königsgrabs von Liangdai aus der Zhou-Dynastie und des Markgrafengrabs aus Guojiamiao, einem Klangsteinset des 8.-5. Jh. v.Chr., der Entwicklung von ling-Glocken zu niu-Glocken, als Qin und Se bezeichneten Zithern der Zhou-Dynastie, der Statue eines Zitherspielers aus dem Pariser Musée Guimet, einem rein gestimmten Glockenspiel des 5. Jh. v.Chr. aus dem Grab von Zenghouyi, der Beziehung zwischen Qin- und Se-Zithern, den Se- und Qin-Exemplaren aus dem Han-zeitlichen Grab des Markgrafen Liu He sowie den niu-Glocken aus dem Markgrafengrab von Guojiamiao. Die Aufsätze zu Europa handeln von Auloi aus der Pyramide der Königin Amanischacheto, der antiken Klanglandschaft Spartas und einem früheisenzeitlichen schottischen Lyrasteg aus archäologischer und kontextueller Sicht.
These conference proceedings contain an obituary for Ellen Hickmann [1934-2017], a foreword by the editors, seventeen papers on musical archaeology [thirteen on China, two on antiquity, two on Scotland], and a list of authors. The contributions deal with bells from the grave of Marquis Yi of Zeng, drums from the Warring States period, lithophones of the Song dynasty, the musical instruments from the royal tomb at Liangdai of the Zhou dynasty and from the Marquis’s tomb at Guojiamiao, a set of lithophones of the 8th to 5th century B.C., the development from ling bells to niu bells, zithers termed qin and se of the Zhou dynasty, the statue of a zither player in the Musée Guimet in Paris, bells with a just intonation from the 5th-century B.C. grave at Zenghouyi, the relationship between qin and se zithers, the se and qin specimens found in the grave of Marquis Liu He of the Han dynasty, and the niu bells from the aforementioned Marquis’s tomb at Guojiamiao. The papers on Europe deal with auloi from queen Amanishakheto’s pyramid, the ancient soundscape of Sparta, and a Scottish Early Iron Age lyre bridge from an archaeological and contextual point of view. These conference proceedings contain an obituary for Ellen Hickmann [1934-2017], a foreword by the editors, seventeen papers on musical archaeology [thirteen on China, two on antiquity, two on Scotland], and a list of authors. The contributions deal with bells from the grave of Marquis Yi of Zeng, drums from the Warring States period, lithophones of the Song dynasty, the musical instruments from the royal tomb at Liangdai of the Zhou dynasty and from the Marquis’s tomb at Guojiamiao, a set of lithophones of the 8th to 5th century B.C., the development from ling bells to niu bells, zithers termed qin and se of the Zhou dynasty, the statue of a zither player in the Musée Guimet in Paris, bells with a just intonation from the 5th-century B.C. grave at Zenghouyi, the relationship between qin and se zithers, the se and qin specimens found in the grave of Marquis Liu He of the Han dynasty, and the niu bells from the aforementioned Marquis’s tomb at Guojiamiao. The papers on Europe deal with auloi from queen Amanishakheto’s pyramid, the ancient soundscape of Sparta, and a Scottish Early Iron Age lyre bridge from an archaeological and contextual point of view.
These conference proceedings contain an obituary for Ellen Hickmann [1934-2017], a foreword by the editors, seventeen papers on musical archaeology [thirteen on China, two on antiquity, two on Scotland], and a list of authors. The contributions deal with bells from the grave of Marquis Yi of Zeng, drums from the Warring States period, lithophones of the Song dynasty, the musical instruments from the royal tomb at Liangdai of the Zhou dynasty and from the Marquis’s tomb at Guojiamiao, a set of lithophones of the 8th to 5th century B.C., the development from ling bells to niu bells, zithers termed qin and se of the Zhou dynasty, the statue of a zither player in the Musée Guimet in Paris, bells with a just intonation from the 5th-century B.C. grave at Zenghouyi, the relationship between qin and se zithers, the se and qin specimens found in the grave of Marquis Liu He of the Han dynasty, and the niu bells from the aforementioned Marquis’s tomb at Guojiamiao. The papers on Europe deal with auloi from queen Amanishakheto’s pyramid, the ancient soundscape of Sparta, and a Scottish Early Iron Age lyre bridge from an archaeological and contextual point of view. These conference proceedings contain an obituary for Ellen Hickmann [1934-2017], a foreword by the editors, seventeen papers on musical archaeology [thirteen on China, two on antiquity, two on Scotland], and a list of authors. The contributions deal with bells from the grave of Marquis Yi of Zeng, drums from the Warring States period, lithophones of the Song dynasty, the musical instruments from the royal tomb at Liangdai of the Zhou dynasty and from the Marquis’s tomb at Guojiamiao, a set of lithophones of the 8th to 5th century B.C., the development from ling bells to niu bells, zithers termed qin and se of the Zhou dynasty, the statue of a zither player in the Musée Guimet in Paris, bells with a just intonation from the 5th-century B.C. grave at Zenghouyi, the relationship between qin and se zithers, the se and qin specimens found in the grave of Marquis Liu He of the Han dynasty, and the niu bells from the aforementioned Marquis’s tomb at Guojiamiao. The papers on Europe deal with auloi from queen Amanishakheto’s pyramid, the ancient soundscape of Sparta, and a Scottish Early Iron Age lyre bridge from an archaeological and contextual point of view.
| Erscheinungsdatum | 01.04.2019 |
|---|---|
| Reihe/Serie | Orient Archäologie ; 40 | Studien zur Musikarchäologie ; XI | 1.0 |
| Verlagsort | Rahden/Westf. |
| Sprache | englisch |
| Maße | 210 x 297 mm |
| Gewicht | 1470 g |
| Einbandart | gebunden |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musikgeschichte |
| Geisteswissenschaften ► Archäologie | |
| Geisteswissenschaften ► Geschichte | |
| Schlagworte | Forschungsgeschichte • Musik • Musikinstrument |
| ISBN-10 | 3-89646-670-4 / 3896466704 |
| ISBN-13 | 978-3-89646-670-9 / 9783896466709 |
| Zustand | Neuware |
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