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Theatres of Feeling

Affect, Performance, and the Eighteenth-Century Stage

(Autor)

Buch | Hardcover
234 Seiten
2019
Cambridge University Press (Verlag)
978-1-108-47613-3 (ISBN)
CHF 135,00 inkl. MwSt
This engaging account of theatregoing in the later eighteenth century explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Theatres of Feeling delivers a new approach to dramatic literature and performance, moving beyond more limited studies of text or performance.
Theatre and theatregoing was central to the cultural life of later eighteenth-century Britain. In this engaging work, Jean I. Marsden explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Using first-hand accounts, reviews, and illustrations to complement the drama of the era, Marsden examines why both critics and audiences elevated the theatre above the pulpit and how they experienced the plays and performances that they witnessed. Tears and even fainting fits were a common reaction to powerful productions, and playwrights sought to harness this emotion. The book explores this intersection of text, performance, and affect in a series of case studies of plays exploring British liberty, empire and the evils of antisemitism. With a focus on emotional response, Theatres of Feeling delivers a new approach to dramatic literature and performance, one that moves beyond more limited studies of text or performance.

Jean I. Marsden is Professor of English at the University of Connecticut. Her previous publications include The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth (1991), The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory (1995), Fatal Desire: Women, Sexuality, and the English Stage 1660–1720 (2006), and numerous articles or editions dealing with diverse topics ranging from Restoration and eighteenth-century theatre, children's literature, Shakespeare, to the poet Anne Finch.

Introduction; 1. Divine sympathy: theatre, connection, and virtue; 2. Dangerous pleasures: theatregoing in the eighteenth century; 3. Roman fathers and Grecian daughters: tragedy and the nation; 4. Performing the West Indies: comedy, feeling, and British identity; 5. The moral muse: comedy as social engineering; Epilogue.

Erscheinungsdatum
Zusatzinfo Worked examples or Exercises; 6 Halftones, unspecified
Verlagsort Cambridge
Sprache englisch
Maße 159 x 236 mm
Gewicht 520 g
Themenwelt Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-108-47613-9 / 1108476139
ISBN-13 978-1-108-47613-3 / 9781108476133
Zustand Neuware
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