The Novelist at the Crossroads
Crc Press Inc (Verlag)
978-0-8153-4723-1 (ISBN)
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‘We are conscious of ourselves as unique, historic individuals, living together in societies by virtue of certain common assumptions and methods of communication; we are conscious that our sense of identity, of happiness and unhappiness, is defined by small things as well as large; we seek to adjust our lives, individually and communally, to some order or system of values which, however, we know is always at the mercy of chance and contingency. It is this sense of reality which realism imitates; and it seems likely that the latter will survive as long as the former.’ – David Lodge, The Novelist at the Crossroads
The Novelist at the Crossroads contains some of the sharpest and most insightful pieces of David Lodge’s literary criticism, spanning the topics of fiction and Catholicism, modernism and utopia. From the titular essay, where Lodge defends a critical pluralism, to the concluding chapter where he identifies three types of critic – the ‘academic’, the ‘creative writer’ and the ‘freelancer’ - the essays exhibit Lodge’s acknowledgement of human beings as fragile yet resourceful and are shot through with a characteristic liberal humanism.
The most revealing parts of the book, however, are Lodge’s critical appraisals of writers as diverse as Graham Greene, Muriel Spark, William Burroughs, Samuel Beckett , HG Wells and John Updike. The book also includes Lodge’s short story, The Man Who Wouldn’t Get Up.
David John Lodge CBE (born 1935) is an English author and literary critic. Lodge was Professor of English Literature at the University of Birmingham until 1987, and he is best known for his novels satirising academic life, particularly the "Campus Trilogy" – Changing Places: A Tale of Two Campuses (1975), Small World: An Academic Romance (1984), and Nice Work (1988). Small World and Nice Work were both shortlisted for the Booker Prize. Lodge has also written several television screenplays and three stage plays. Since retiring from academia he has continued to publish works of literary criticism, which often draw on his own experience as a practising novelist and scriptwriter.
Preface and Acknowledgments. Introduction to the Routledge Classics Edition. Part 1. 1. The Novelist at the Crossroads. Part II Fiction and Criticism. 1. Waiting for the End: Current Novel Critcism. 2. Towards a Poetics of Fiction: An Approach through Language. 3. Choice and Chance in Literary Composition: A Self-analysis. Part III Fiction and Catholicism. 1. Graham Greene. 2. The Uses and Abuses of Omniscience: Method and Meaning in Muriel Spark’s The Prime of Miss Jean Brodie. 3. The Chesterbelloc and the Jews. Part IV Fiction and Modernism. 1. Objections to William Burroughs. 2. Samuel Beckett: Some Pint Understood. 3. Hemingway’s Clean, Well-lighted, Puzzling Place. Part V Fiction and Utopia. 1. Assessing H.G.Wells. 2. Utopia and Criticism: The Radical Longing for Paradise. 3. Post-pill Paradise Lost: John Updike’s Couples. Part VI. 1. Crosscurrents in Modern English Criticism
| Erscheinungsdatum | 17.01.2024 |
|---|---|
| Reihe/Serie | Routledge Classics |
| Verlagsort | Bosa Roca |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-8153-4723-5 / 0815347235 |
| ISBN-13 | 978-0-8153-4723-1 / 9780815347231 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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