A Fragile Inheritance
Radical Stakes in Contemporary Indian Art
Seiten
2019
Duke University Press (Verlag)
978-1-4780-0186-7 (ISBN)
Duke University Press (Verlag)
978-1-4780-0186-7 (ISBN)
Saloni Mathur investigates the radical work of two seminal figures—New Dehli-based critic and curator Geeta Kapur, and her husband, contemporary multimedia artist, Vivan Sundaram—to show how their approach to artistic practice and theory may inform subsequent generations and serve as a model for artistic politics in our time.
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
Saloni Mathur is Professor of Art History at the University of California, Los Angeles, author of India by Design: Colonial History and Cultural Display, and coeditor of No Touching, No Spitting, No Praying: The Museum in South Asia.
Preface vii
Introduction: Radical Stakes 1
1. Earthly Ecologies 40
2. The Edifice Complex 72
3. The World, the Art, and the Critic 96
4. Urban Economies 129
Epilogue: Late Styles 160
Notes 185
Bibliography 211
Index 225
| Erscheinungsdatum | 05.10.2019 |
|---|---|
| Zusatzinfo | 64 illustrations |
| Verlagsort | North Carolina |
| Sprache | englisch |
| Maße | 156 x 235 mm |
| Gewicht | 590 g |
| Themenwelt | Kunst / Musik / Theater ► Antiquitäten |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| ISBN-10 | 1-4780-0186-0 / 1478001860 |
| ISBN-13 | 978-1-4780-0186-7 / 9781478001867 |
| Zustand | Neuware |
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