Narratives of Annihilation, Confinement, and Survival
Camp Literature in a Transnational Perspective
Seiten
2019
De Gruyter (Verlag)
978-3-11-062824-1 (ISBN)
De Gruyter (Verlag)
978-3-11-062824-1 (ISBN)
The series Culture and Conflict aims to promote a dynamic, pluridisciplinary dialogue meant to discuss the multiple ways in which conflict influences, supports or constrains the production of meaning in modernity. It publishes innovative original scholarship from the fields of literary and cultural studies as well as media, visual and film studies. Culture and conflict inevitably go together. The very idea of culture is marked by the notion of difference and creative, i.e., conflictual interaction. Differential markers, such as self and other, inside and outside, high and low, pure and dirty, old and new, support the key themes of the study of culture, e.g., identity and diversity, memory and trauma, translation of cultures and globalization, mediation and exclusion. The new series Culture and Conflict aims to promote a dynamic, pluridisciplinary dialogue meant to discuss the multiple ways in which conflict influences, supports or constrains the production of meaning in modernity. It publishes innovative original scholarship from the fields of literary and cultural studies as well as media, visual and film studies.
The concept of “camp narratives” rather than “Holocaust narratives” or “Gulag narratives” is based on the assumption that literary accounts of camp experiences share common traits, aesthetically as well as thematically. The book presents readings of camp literature that underscore the similarities between texts about Soviet gulag camps, Nazi camps and about other camp experiences. While literature about Nazi concentration camps still serves as a point of reference for camp narratives in the same way that the Holocaust serves as a point of reference for other genocidal operations, socialist labor and penal camps have become transnational lieux de mémoire in their own right since 1989. This volume intends to provide a theoretical frame as well as an overview of several important European camp literatures and case studies of iconic camp narratives and to take a comparative and transnational perspective on the genre of the camp narrative.
The concept of “camp narratives” rather than “Holocaust narratives” or “Gulag narratives” is based on the assumption that literary accounts of camp experiences share common traits, aesthetically as well as thematically. The book presents readings of camp literature that underscore the similarities between texts about Soviet gulag camps, Nazi camps and about other camp experiences. While literature about Nazi concentration camps still serves as a point of reference for camp narratives in the same way that the Holocaust serves as a point of reference for other genocidal operations, socialist labor and penal camps have become transnational lieux de mémoire in their own right since 1989. This volume intends to provide a theoretical frame as well as an overview of several important European camp literatures and case studies of iconic camp narratives and to take a comparative and transnational perspective on the genre of the camp narrative.
Anja Tippner, University of Hamburg, Germany; Anna Artwinska, University of Leipzig, Germany.
| Erscheinungsdatum | 21.05.2019 |
|---|---|
| Reihe/Serie | Culture & Conflict ; 14 |
| Verlagsort | Berlin/Boston |
| Sprache | englisch |
| Maße | 155 x 230 mm |
| Gewicht | 542 g |
| Themenwelt | Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte |
| Schlagworte | Camp narratives • Culture of Remembrance • Gulag literature • Holocaust Literature |
| ISBN-10 | 3-11-062824-4 / 3110628244 |
| ISBN-13 | 978-3-11-062824-1 / 9783110628241 |
| Zustand | Neuware |
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