Drawing Back Culture
The Makah Struggle for Repatriation
Seiten
2002
University of Washington Press (Verlag)
978-0-295-98195-6 (ISBN)
University of Washington Press (Verlag)
978-0-295-98195-6 (ISBN)
Describes the early stages of the tribe's (Makah Indians of Washington State) implementation of the Native American Graves Protection and Repatriation Act (NAGPRA). This book explores how NAGPRA implementation has been working at the tribal level, from the perspective of a tribe struggling to fit the provisions of the law.
The Makah Indians of Washington State--briefly in the national spotlight when they resumed their ancient whaling traditions in 1999--have begun a process that will eventually lead to the repatriation of objects held by museums and federal agencies nationwide. Drawing Back Culture describes the early stages of the tribe’s implementation of what some consider to be the most important piece of cultural policy legislation in the history of the United States: the Native American Graves Protection and Repatriation Act (NAGPRA).
NAGPRA was passed by Congress in 1990 to give Native people a mechanism through which they could reclaim specific objects of importance to the tribe. Because NAGPRA definitions were intended for widespread applicability, each tribe must negotiate a fit between these definitions and their own material culture. The broad range of viewpoints within any given tribal community creates internal negotiations over NAGPRA surrounding the identification and eventual return of such objects. Negotiations also arise concerning the nature of ownership. At the heart of this ongoing struggle are themes relevant to indigenous studies worldwide: the central role of material culture in cultural revitalization movements, concerns with intellectual property rights and self-representation, and the trend towards professional cultural resource management among indigenous peoples.
The conception of ownership lies at the heart of the Makahs’ struggle to implement NAGPRA. Tweedie explores their historical patterns of ownership, and demonstrates the challenges of implementing legislation which presumes a concept of communal ownership foreign to the Makahs’ highly developed and historically documented patterns of personal ownership of both material culture and intellectual property. Drawing Back Culture explores how NAGPRA implementation has been working at the tribal level, from the perspective of a tribe struggling to fit the provisions of the law with its own sense of history, ownership, and the drive for cultural renewal.
The Makah Indians of Washington State--briefly in the national spotlight when they resumed their ancient whaling traditions in 1999--have begun a process that will eventually lead to the repatriation of objects held by museums and federal agencies nationwide. Drawing Back Culture describes the early stages of the tribe’s implementation of what some consider to be the most important piece of cultural policy legislation in the history of the United States: the Native American Graves Protection and Repatriation Act (NAGPRA).
NAGPRA was passed by Congress in 1990 to give Native people a mechanism through which they could reclaim specific objects of importance to the tribe. Because NAGPRA definitions were intended for widespread applicability, each tribe must negotiate a fit between these definitions and their own material culture. The broad range of viewpoints within any given tribal community creates internal negotiations over NAGPRA surrounding the identification and eventual return of such objects. Negotiations also arise concerning the nature of ownership. At the heart of this ongoing struggle are themes relevant to indigenous studies worldwide: the central role of material culture in cultural revitalization movements, concerns with intellectual property rights and self-representation, and the trend towards professional cultural resource management among indigenous peoples.
The conception of ownership lies at the heart of the Makahs’ struggle to implement NAGPRA. Tweedie explores their historical patterns of ownership, and demonstrates the challenges of implementing legislation which presumes a concept of communal ownership foreign to the Makahs’ highly developed and historically documented patterns of personal ownership of both material culture and intellectual property. Drawing Back Culture explores how NAGPRA implementation has been working at the tribal level, from the perspective of a tribe struggling to fit the provisions of the law with its own sense of history, ownership, and the drive for cultural renewal.
Ann Tweedie is a social anthropologist and museum consultant in Pleasantville, New York.
Foreword
Acknowledgments
Preface
Introduction: Drawing Back Culture
Makah Perspectives of NAGPRA
Five Villages, One Heartbeat: Precontact Makah Life
Makah Culture(s) and Histories in Flux
A New Era: Tribal Politics and Cultural Projects
Reconciling the Spirit with the Letter of the Law
Unresolved Ownership: Fates of Repatriated Objects
Afterword
Appendix: Text of NAGPRA
Notes
Bibliography
Index
| Reihe/Serie | Drawing Back Culture |
|---|---|
| Zusatzinfo | 61 illus. |
| Verlagsort | Seattle |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 476 g |
| Themenwelt | Kunst / Musik / Theater |
| Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
| Recht / Steuern ► EU / Internationales Recht | |
| Recht / Steuern ► Privatrecht / Bürgerliches Recht ► Sachenrecht | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-295-98195-4 / 0295981954 |
| ISBN-13 | 978-0-295-98195-6 / 9780295981956 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Anforderungen an das digitalisierte Kulturerbe
Buch | Softcover (2023)
transcript (Verlag)
CHF 42,90
innovative Wege der Konzeption und Evaluation von Ausstellungen
Buch | Softcover (2024)
transcript (Verlag)
CHF 49,90
