Greek Epigram from the Hellenistic to the Early Byzantine Era
Oxford University Press (Verlag)
978-0-19-883682-7 (ISBN)
Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound influence on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the complexities of epigram as a genre, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from the dynamic interactions between poets and their predecessors and contemporaries, and the relationship between epigram and its sociopolitical, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation that generated the collections that survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world, which will be of value to scholars and students of Greek epigram and classical literature more broadly.
Maria Kanellou was born in Athens and studied at the National and Kapodistrian University of Athens and at UCL. She is currently Research Fellow at the Academy of Athens and has previously worked at UCL, KCL, the University of Kent, and OUC. She has co-organized various international conferences focusing on Greek epigram and Theocritus and is currently working on the publication of the proceedings; her doctoral thesis, which offers a diachronic and motif-based analysis of erotic epigram, is also under contract for publication by OUP. Ivana Petrovic was born in Belgrade and studied at Belgrade University, Ruprecht-Karls Universität Heidelberg, and Justus-Liebig Universität Giessen. She has taught at Heidelberg, Giessen, and, most recently, at Durham University, and is now Hugh H. Obear Professor of Classics at the University of Virginia. Her research interests embrace ancient Greek literature, religion, and cultural history, and also South-Slavic traditional oral poetry, with a particular focus on the interaction between the texts and their historical, religious, and social contexts. Chris Carey was born in Liverpool and educated at Jesus College, Cambridge. He has worked at Cambridge, the University of Minnesota, Carleton College, St Andrews, Royal Holloway, and UCL, and has also taught in the Netherlands, Hungary, Greece, and Serbia. He has published on Greek lyric poetry, epic, drama, oratory, and law and is currently working on a commentary on Book 7 of Herodotus' History. He was elected Fellow of the British Academy in 2012.
Frontmatter
List of Figures
List of Abbreviations
List of Contributors
1: Maria Kanellou, Ivana Petrovic, and Chris Carey: Introduction
Part 1: Encountering Epigram
2: Joseph Day: Reading Inscriptions in Literary Epigram
3: Andrej Petrovic: Lessons in Reading and Ideology: On Greek Epigrams in Private Compilations of the Hellenistic Age
4: Regina Höschele: A Garland of Freshly Grown Flowers: The Poetics of Editing in Philip's Stephanos
5: Kristoffel Demoen: Epigrams on Authors and Books as Text and Paratext
Part 2: Imitation, Variation, Interaction
6: Annette Harder: Miniaturization of Earlier Poetry in Greek Epigrams
7: Charles S. Campbell: Variations on Simplicity: Callimachus and Leonidas of Tarentum in Philip's Garland
8: Simone Beta: The Riddles of the Fourteenth Book of the Palatine Anthology: Hellenistic, Later Imperial, Early Byzantine, or Something More?
Part 3: Writing Death
9: Richard Hunter: Death of a Child: Grief Beyond the Literary?
10: Silvia Barbantani: Hellenistic and Roman Military Epitaphs on Stone and on Papyrus: Questions of Authorship and Literariness
11: Doris Meyer: Tears and Emotions in Greek Literary Epitaphs
12: Michael A. Tueller: Sea and Land: Dividing Sepulchral Epigram
Part 4: Gods, Religion, and Cult
13: Marco Fantuzzi: Epigrammatic Variations/Debate on the Theme of Cybele's Music
14: Kathryn Gutzwiller: Dreadful Eros, Before and After Meleager
Part 5: Praise and Blame
15: Maria Kanellou: Mythological Burlesque and Satire in Greek Epigram - A Case Study: Zeus' Seduction of Danae
16: Federica Giommoni: Epigrams on the Persian Wars: An Example of Poetic Propaganda
17: Joseph M. Romero: 'From Atop A Lofty Wall . . .': Philosophers and Philosophy in Greek Literary Epigram
Part 6: Words and Images
18: Lucia Floridi: Greek Skoptic Epigram, Ecphrasis, and the Visual Arts
19: Peter Bing: Ecphrasis and Iconoclasm: Palladas' Epigrams on Statues
20: Steven D. Smith: Art, Nature, Power: Garden Epigrams from Nero to Heraclius
Endmatter
Bibliography
Index
| Erscheinungsdatum | 19.07.2019 |
|---|---|
| Zusatzinfo | 5 black-and-white illustrations |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 164 x 241 mm |
| Gewicht | 838 g |
| Themenwelt | Geschichte ► Allgemeine Geschichte ► Vor- und Frühgeschichte |
| Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-19-883682-1 / 0198836821 |
| ISBN-13 | 978-0-19-883682-7 / 9780198836827 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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