Adulthood and Other Fictions
American Literature and the Unmaking of Age
Seiten
2019
Oxford University Press (Verlag)
978-0-19-883188-4 (ISBN)
Oxford University Press (Verlag)
978-0-19-883188-4 (ISBN)
This volume explores the idea of age in American literature over the course of the nineteenth century and examines how writers such as Louisa May Alcott, Frederick Douglass, and Henry James used literature as a space to imagine alternative ideas about aging and to challenge conventional definitions of adulthood.
While the field of childhood studies has blossomed in recent years, few scholars have taken up the question of age more broadly as a lens for reading American literature. Adulthood and Other Fictions shows how a diverse array of nineteenth-century writers, thinkers, and artists responded to the rise of chronological age in social and political life. Over the course of the century, age was added to the census; schools were organized around age groups; birthday cards were mass-produced; geriatrics became a medical specialty. Adulthood and Other Fictions reads American literature as a rich, critical account of this modern culture of age, and it examines how our most well-known writers registered—and often resisted—age expectations, particularly as they applied to women and people of color.
More than simply adding age to the list of identity categories that have become de rigueur sites of scholarly attention, Adulthood and Other Fictions argues that these other measures of social location (race, gender, sexuality, class) are largely legible through the seemingly more natural and essential identity defined by age. That is, longstanding cultural ideals about maturity and development anchor ideologies of heterosexuality, race, nationalism, and capitalism, and in this sense, age rhetoric serves as one of our most pervasive disciplinary discourses. Writers including Louisa May Alcott, Frederick Douglass, and Henry James anticipated the ageism of our moment, but they also recognized how age norms both structure and limit the lives of individuals at all points on the age continuum. Ultimately, the volume argues for an intersectional understanding of age that challenges the celebration of independence and autonomy imbricated in US fantasies of adulthood and in American identity itself.
While the field of childhood studies has blossomed in recent years, few scholars have taken up the question of age more broadly as a lens for reading American literature. Adulthood and Other Fictions shows how a diverse array of nineteenth-century writers, thinkers, and artists responded to the rise of chronological age in social and political life. Over the course of the century, age was added to the census; schools were organized around age groups; birthday cards were mass-produced; geriatrics became a medical specialty. Adulthood and Other Fictions reads American literature as a rich, critical account of this modern culture of age, and it examines how our most well-known writers registered—and often resisted—age expectations, particularly as they applied to women and people of color.
More than simply adding age to the list of identity categories that have become de rigueur sites of scholarly attention, Adulthood and Other Fictions argues that these other measures of social location (race, gender, sexuality, class) are largely legible through the seemingly more natural and essential identity defined by age. That is, longstanding cultural ideals about maturity and development anchor ideologies of heterosexuality, race, nationalism, and capitalism, and in this sense, age rhetoric serves as one of our most pervasive disciplinary discourses. Writers including Louisa May Alcott, Frederick Douglass, and Henry James anticipated the ageism of our moment, but they also recognized how age norms both structure and limit the lives of individuals at all points on the age continuum. Ultimately, the volume argues for an intersectional understanding of age that challenges the celebration of independence and autonomy imbricated in US fantasies of adulthood and in American identity itself.
Sari Edelstein teaches in the English Department at the University of Massachusetts, Boston. She is the author of Between the Novel and the News: The Emergence of American Women's Writing (2014), and her essays and reviews have appeared in numerous academic journals, including American Literature, Legacy, ESQ, and Studies in American Fiction.
Introduction
1: 'May I Never Be a Man': Immaturity in Melville's America
2: Peculiar Forms of Aging in the Literature of US Slavery
3: Little Women, Overgrown Children, and the Problem of Female Maturity
4: Over the Hill and Out of Sight: Locating Old Age in Regionalism
5: Beyond Mastery: Undoing Adulthood in the Work of Henry James
Coda
| Erscheinungsdatum | 13.02.2019 |
|---|---|
| Zusatzinfo | 16 Illustrations |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 147 x 224 mm |
| Gewicht | 436 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-19-883188-9 / 0198831889 |
| ISBN-13 | 978-0-19-883188-4 / 9780198831884 |
| Zustand | Neuware |
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