Performing Psychologies

Imagination, Creativity and Dramas of the Mind

Prof Nicola Shaughnessy, Philip Barnard (Herausgeber)

Buch | Hardcover

264 Seiten

2019
Methuen Drama (Verlag)
978-1-4742-6085-5 (ISBN)

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Performing Psychologies offers new perspectives on arts and health, focussing on the different ways in which performance interacting with psychology can enhance understanding of the mind. The book challenges stereotypes of disability, madness and creativity, addressing a range of conditions (autism, dementia and schizophrenia) and performance practices including staged productions and applied work in custodial, health and community settings.

Featuring case studies ranging from Hamlet to The Curious Incident of the Dog in the Night-Time, the pioneering work of companies such as Spare Tyre and Ridiculusmus, and embracing dance and music as well as theatre and drama, the volume offers new perspectives on the dynamic interactions between performance, psychology and states of mind. It contains contributions from psychologists, performance scholars, therapists and healthcare professionals, who offer multiple perspectives on working through performance-based media.

Presenting a richly interdisciplinary and collaborative investigation of the arts in practice, this volume opens up new ways of thinking about the performance of psychologies, and about how psychologies perform.

Dr Nicola Shaughnessy is Professor of Performance at the University of Kent, UK. Dr Philip Barnard worked for the Medical Research Council’s Cognition and Brain Sciences Unit at the University of Cambridge from 1972 to 2011.

List of Illustrations
Notes on Contributors
Acknowledgements

Part 1 Contexts

1 Changing Minds and Minding the Gap: Interactions between Arts and Science

Nicola Shaughnessy and Philip Barnard

2 Imagining An/Other: Histories, Theories and Theatres of Mind through the Mirrors of Hamlet

Nicola Shaughnessy

3 Paying Attention to Meanings in the Psychological Sciences and the Performing Arts,

Philip Barnard

Part 2 Interdisciplinary Perspectives

4 Evaluating Atypical Imagination and Cognition: Working in the Arts/Science Interspace,

Ilona Roth

5 The Wind and the Rain: Facing Dementia in Lear/Cordelia and The Garden

Robert Shaughnessy

6 ‘Her painful legs joined in the conversation’ Dramatherapy and the Space Before and

Beyond the Talking Cure

Emma Brodzinsky

Part 3 Practices and Responses

7 Where is her Mind? Space, Feminism and Mental Illness in Plays by Sarah Daniels and

Sarah Kane

Christopher Dingwall-Jones

A Response Incomprehensibility and Mutual Recovery Paul Crawford

8 A Cry Without an Echo: Consciousness, Creativity and the Healing work of the Arts

Ellen W. Kaplan

A Response Artistic Healing and the Overcoming of Rehabilitation Paradigms

Fabiola Camuti

9 Autism and Affect in Post-Realist Theatre,

Marla Carlson

A Response Scientific Truth, Artistic Licence, Fiction and Reality Thalia R Goldstein

Part 4 Changing Minds

10 Reflections on The Eradication of Schizophrenia in Western Lapland: A conversation

between David Woods and Jon Haynes of Ridiculusmus with commentary by Richard Talbot.

11 Re: Creating Psychiatry through Participatory Performance: Playing On Theatre and Mental Health Acts

Nicola Shaughnessy, Jim Pope, Phil Osment and Hugh Grant-Peterkin

Epilogue: Nicola Shaughnessy

Notes
Bibliography
Index

Erscheinungsdatum	08.02.2019
Reihe/Serie	Performance and Science: Interdisciplinary Dialogues
Zusatzinfo	11 bw illus
Verlagsort	London
Sprache	englisch
Maße	138 x 216 mm
Gewicht	454 g
Themenwelt	Kunst / Musik / Theater ► Theater / Ballett
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
	Medizin / Pharmazie ► Physiotherapie / Ergotherapie ► Ergotherapie
	Naturwissenschaften ► Biologie ► Humanbiologie
	Naturwissenschaften ► Biologie ► Zoologie
ISBN-10	1-4742-6085-3 / 1474260853
ISBN-13	978-1-4742-6085-5 / 9781474260855
Zustand	Neuware