Facing the Colours of Roman Portraiture
Exploring the Materiality of Ancient Polychrome Forms
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Image & Context (ICON) ist die erste internationale Reihe, die dem Bild und dem Funktionieren von Bildern in der Antike gilt. Das einzigartige Potential des Bildes beruht auf seiner Suggestion. Ein Bild kann die Aufmerksamkeit des Betrachters im Bruchteil einer Sekunde fesseln und sich ihm für immer einprägen. Das führt zu den Kernfragen der Reihe: Wie und von wem wurden Bilder entworfen und wahrgenommen, wie beeinflussten sie das Denken und Handeln des Betrachters, und wie wurden sie für die Bedürfnisse verschiedener Lebenskontexte eingesetzt? Die Reihe zielt darauf, neue Diskussionen und Ansätze zu einer Geschichte der antiken Bild-Kulturen anzuregen.
The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future.
The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future.
Amalie Skovmøller, SAXO-Institute, University of Copenhagen.
| Erscheinungsdatum | 10.09.2020 |
|---|---|
| Reihe/Serie | Image & Context ; 19 |
| Zusatzinfo | 245 col. ill. |
| Verlagsort | Berlin/Boston |
| Sprache | englisch |
| Maße | 170 x 240 mm |
| Gewicht | 1176 g |
| Themenwelt | Geschichte ► Allgemeine Geschichte ► Altertum / Antike |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Schlagworte | ancient marble. • Antike / Marmor • antiker Marmor • Polychromie • polychromy • Roman portraiture • römisches Porträt • sculpture • Skulptur |
| ISBN-10 | 3-11-056366-5 / 3110563665 |
| ISBN-13 | 978-3-11-056366-5 / 9783110563665 |
| Zustand | Neuware |
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