T. S. Eliot and the Dynamic Imagination
Seiten
2018
Cambridge University Press (Verlag)
978-1-108-42521-6 (ISBN)
Cambridge University Press (Verlag)
978-1-108-42521-6 (ISBN)
How is a poem made? From what constellation of inner and outer worlds does it issue forth? T. S. Eliot and the Dynamic Imagination charts the relations between metaphor and creativity in Eliot's poetry and criticism in dialogue with developments in 'new physics', optics, colour theory, cognitive psychology, and anthropology.
How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry.
How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry.
Sarah Kennedy is a Fellow in English at Downing College, University of Cambridge. She gave the 2016 T. S. Eliot Lecture on 'Eliot's Ghost Women', and contributed a chapter on 'Ash-Wednesday and the Ariel Poems' to the New Cambridge Companion to T. S. Eliot, (Cambridge, 2016).
Part I. Sea Voices: Eliot's Tempest: 1. Immersion: Eliot, James and Shakespeare; 2. Hints of earlier and other creation; 3. This isle is full of noises; Part II. Broken Images: Illuminating Time and Space: 4. Vacant interstellar spaces; 5. Looking backward; 6. Luminous recognitions; Part III. Gestation and Resurrection: 7. His dark materials; 8. Dark doubles; 9. Blood for the ghosts.
| Erscheinungsdatum | 25.04.2018 |
|---|---|
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 157 x 235 mm |
| Gewicht | 510 g |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-108-42521-6 / 1108425216 |
| ISBN-13 | 978-1-108-42521-6 / 9781108425216 |
| Zustand | Neuware |
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