Shakespearean Arrivals
The Birth of Character
Seiten
2018
Cambridge University Press (Verlag)
978-1-108-42215-4 (ISBN)
Cambridge University Press (Verlag)
978-1-108-42215-4 (ISBN)
This book provides a novel account of how Shakespeare creates his great tragic characters. It examines Shakespeare's technique in orchestrating dramatic events alongside Christian notions of rebirth, Badiou's philosophy of event, and process philosophy. It appeals to those interested in Shakespeare, aesthetics, and subjectivity.
In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how they come to life as 'subjects' - through Shakespeare's orchestration of transformational dramatic events. Moving beyond dominant critical modes, Luke combines compelling close readings of Romeo and Juliet, Othello, Hamlet, Macbeth, and King Lear with an accessible analysis of thinkers such as Badiou, Žižek, Bergson, Whitehead and Latour, and the 'adventist' Christian tradition flowing from Saint Paul through Luther to Kierkegard. Representing a significant intervention into the way we encounter Shakespeare's tragic figures, the book argues for a subjectivity which is not singular or abiding, but perilous and leaping.
In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how they come to life as 'subjects' - through Shakespeare's orchestration of transformational dramatic events. Moving beyond dominant critical modes, Luke combines compelling close readings of Romeo and Juliet, Othello, Hamlet, Macbeth, and King Lear with an accessible analysis of thinkers such as Badiou, Žižek, Bergson, Whitehead and Latour, and the 'adventist' Christian tradition flowing from Saint Paul through Luther to Kierkegard. Representing a significant intervention into the way we encounter Shakespeare's tragic figures, the book argues for a subjectivity which is not singular or abiding, but perilous and leaping.
Nicholas Luke is an Australian Rhodes Scholar with degrees in Law and the Arts. He is a Research Fellow at the University of Queensland Node of the Australian Research Council Centre of Excellence for the History of Emotions (Europe, 1100–1800).
1. Thinking arrivals: rupture, event, subject; 2. The subject of love in Romeo and Juliet; 3. Love's late arrival: wonder and terror in Othello's 'High-Wrought Flood'; 4. The ghostly event(s) of Hamlet; 5. Macbeth: the arrival of evil; 6. The Cordelia event: seizing the vanished in King Lear; Conclusion; Index.
| Erscheinungsdatum | 16.03.2018 |
|---|---|
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 158 x 235 mm |
| Gewicht | 510 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-108-42215-2 / 1108422152 |
| ISBN-13 | 978-1-108-42215-4 / 9781108422154 |
| Zustand | Neuware |
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