The Poetics of Decline in British Romanticism
Seiten
2018
Cambridge University Press (Verlag)
978-1-108-42031-0 (ISBN)
Cambridge University Press (Verlag)
978-1-108-42031-0 (ISBN)
This book provides a historically-nuanced account of anxieties about decline in Romantic-era Britain. Combining close readings of Romantic literary texts with study of works from political economy, historical writing, classical studies, and media history Jonathan Sachs offers, through the lens of decline, a new way of understanding British Romanticism.
Anxieties about decline were a prominent feature of British public discourse in the late eighteenth and early nineteenth century. These anxieties were borne out repeatedly in books and periodicals, pamphlets and poems. Tracing the reciprocal development of Romantic-era Britain's rapidly expanding literary and market cultures through the lens of decline, Jonathan Sachs offers a fresh way of understanding British Romanticism. The book focuses on three aspects of literary experience - questions of value, the fascination with ruins, and the representation of slow time - to explore how shifting conceptions of progress and change inform a post-enlightenment sense of cultural decline. Combining close readings of Romantic literary texts with an examination of works from political economy, historical writing, classical studies, and media history the book reveals for the first time how anxieties about decline impacted literary form and shaped Romantic debates about poetry and the meaning of literature.
Anxieties about decline were a prominent feature of British public discourse in the late eighteenth and early nineteenth century. These anxieties were borne out repeatedly in books and periodicals, pamphlets and poems. Tracing the reciprocal development of Romantic-era Britain's rapidly expanding literary and market cultures through the lens of decline, Jonathan Sachs offers a fresh way of understanding British Romanticism. The book focuses on three aspects of literary experience - questions of value, the fascination with ruins, and the representation of slow time - to explore how shifting conceptions of progress and change inform a post-enlightenment sense of cultural decline. Combining close readings of Romantic literary texts with an examination of works from political economy, historical writing, classical studies, and media history the book reveals for the first time how anxieties about decline impacted literary form and shaped Romantic debates about poetry and the meaning of literature.
Jonathan Sachs is Professor of English at Concordia University in Montreal. He is the author of Romantic Antiquity: Rome in the British Imagination, 1789–1832 (2010) and co-author of Interacting with Print: Elements of Reading in an Age of Print Saturation (2017).
Introduction; 1. From morals to measurement: scaling time, anticipating the future, and quantifying decline in Gibbon, Smith and Playfair; 2. The decline of literature: acceleration, print saturation, and media time; 3. The politics of prediction: Anna Barbauld and the ruins of London; 4. On ruins: contingency, time parallax, and 'the ruined cottage'; 5. Coleridge's slow time; 6. Fast time, slow time, deep time: the pace of romanticism.
| Erscheinungsdatum | 13.06.2018 |
|---|---|
| Reihe/Serie | Cambridge Studies in Romanticism |
| Zusatzinfo | Worked examples or Exercises; 6 Halftones, black and white |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 157 x 235 mm |
| Gewicht | 500 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-108-42031-1 / 1108420311 |
| ISBN-13 | 978-1-108-42031-0 / 9781108420310 |
| Zustand | Neuware |
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