Performing Citizenship in Plato's Laws
Seiten
2017
Cambridge University Press (Verlag)
978-1-107-42116-5 (ISBN)
Cambridge University Press (Verlag)
978-1-107-42116-5 (ISBN)
This book shows how Plato, in the Laws, theorizes citizenship as simultaneously a political, ethical, and aesthetic practice. Essential reading for all scholars interested in citizenship and the impact of rhetoric in shaping the forms and content of political discourse in societies.
In the Laws, Plato theorizes citizenship as simultaneously a political, ethical, and aesthetic practice. His reflection on citizenship finds its roots in a descriptive psychology of human experience, with sentience and, above all, volition seen as the primary targets of a lifelong training in the values of citizenship. In the city of Magnesia described in the Laws erôs for civic virtue is presented as a motivational resource not only within the reach of the 'ordinary' citizen, but also factored by default into its educational system. Supporting a vision of 'perfect citizenship' based on an internalized obedience to the laws, and persuading the entire polity to consent willingly to it, requires an ideology that must be rhetorically all-inclusive. In this city 'ordinary' citizenship itself will be troped as a performative action: Magnesia's choral performances become a fundamental channel for shaping, feeling and communicating a strong sense of civic identity and unity.
In the Laws, Plato theorizes citizenship as simultaneously a political, ethical, and aesthetic practice. His reflection on citizenship finds its roots in a descriptive psychology of human experience, with sentience and, above all, volition seen as the primary targets of a lifelong training in the values of citizenship. In the city of Magnesia described in the Laws erôs for civic virtue is presented as a motivational resource not only within the reach of the 'ordinary' citizen, but also factored by default into its educational system. Supporting a vision of 'perfect citizenship' based on an internalized obedience to the laws, and persuading the entire polity to consent willingly to it, requires an ideology that must be rhetorically all-inclusive. In this city 'ordinary' citizenship itself will be troped as a performative action: Magnesia's choral performances become a fundamental channel for shaping, feeling and communicating a strong sense of civic identity and unity.
Lucia Prauscello is University Senior Lecturer in Classics at the University of Cambridge and a Fellow of Trinity Hall. She has published on Greek philology, literature and music. Her monograph Singing Alexandria: Music between Practice and Textual Transmission was published in 2006.
Introduction; Preliminaries; Part I. Performing Ordinary Virtue in Plato's Utopias: Citizenship, Desire and Intention: 1. Citizenship in Callipolis; 2. Citizenship in Magnesia; Part II. Citizenship and Performance in the Laws: 3. Choral performances, persuasion and pleasure; 4. Patterns of chorality in Magnesia; 5. Comedy and comic discourse in Magnesia; 6. Epilogue: on law, agency and motivation.
| Erscheinungsdatum | 11.10.2017 |
|---|---|
| Reihe/Serie | Cambridge Classical Studies |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 140 x 217 mm |
| Gewicht | 380 g |
| Themenwelt | Geschichte ► Allgemeine Geschichte ► Vor- und Frühgeschichte |
| Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geisteswissenschaften ► Philosophie ► Philosophie Altertum / Antike | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-107-42116-0 / 1107421160 |
| ISBN-13 | 978-1-107-42116-5 / 9781107421165 |
| Zustand | Neuware |
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