Troy, Carthage and the Victorians
The Drama of Classical Ruins in the Nineteenth-Century Imagination
Seiten
2018
Cambridge University Press (Verlag)
978-1-107-19266-9 (ISBN)
Cambridge University Press (Verlag)
978-1-107-19266-9 (ISBN)
This highly illustrated volume recreates dramatic debates over archaeological discoveries at Troy and Carthage, explaining how the ruined cities inspired irreverent reconstructions of classical epic and imaginative improvisations on the canonical narratives about both cities. It will appeal to anyone interested in classical reception and nineteenth-century culture.
Playful, popular visions of Troy and Carthage, backdrops to the Iliad and Aeneid's epic narratives, shine the spotlight on antiquity's starring role in nineteenth-century culture. This is the story of how these ruined cities inspired bold reconstructions of the Trojan War and its aftermath, how archaeological discoveries in the Troad and North Africa sparked dramatic debates, and how their ruins were exploited to conceptualise problematic relationships between past, present and future. Rachel Bryant Davies breaks new ground in the afterlife of classical antiquity by revealing more complex and less constrained interaction with classical knowledge across a broader social spectrum than yet understood, drawing upon methodological developments from disciplines such as history of science and theatre history in order to do so. She also develops a thorough critical framework for understanding classical burlesque and engages in in-depth analysis of a toy-theatre production.
Playful, popular visions of Troy and Carthage, backdrops to the Iliad and Aeneid's epic narratives, shine the spotlight on antiquity's starring role in nineteenth-century culture. This is the story of how these ruined cities inspired bold reconstructions of the Trojan War and its aftermath, how archaeological discoveries in the Troad and North Africa sparked dramatic debates, and how their ruins were exploited to conceptualise problematic relationships between past, present and future. Rachel Bryant Davies breaks new ground in the afterlife of classical antiquity by revealing more complex and less constrained interaction with classical knowledge across a broader social spectrum than yet understood, drawing upon methodological developments from disciplines such as history of science and theatre history in order to do so. She also develops a thorough critical framework for understanding classical burlesque and engages in in-depth analysis of a toy-theatre production.
Rachel Bryant Davies holds an Addison Wheeler Fellowship in Classics with the Centre for Nineteenth-Century Studies at the University of Durham and is an Early Career Associate with the Archive of Performances of Greek and Roman Drama, University of Oxford. She contributed to Cities of God (Cambridge, 2013) and is author of Victorian Epic Burlesques (forthcoming).
Prologue; 1. Troy and Carthage in the nineteenth century; 2. Homeric pilgrimage, topography and archaeology; 3. The Trojan War at the circus; 4. The Iliad and Aeneid burlesqued; 5. Carthage and future ruins; Epilogue: Troy and Carthage as 'a beacon and a warning'; Appendix A. List of burlesques; Appendix B. Select chronology.
Erscheinungsdatum | 07.01.2018 |
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Zusatzinfo | Worked examples or Exercises; 69 Halftones, black and white |
Verlagsort | Cambridge |
Sprache | englisch |
Maße | 180 x 253 mm |
Gewicht | 980 g |
Themenwelt | Geisteswissenschaften ► Archäologie |
Geschichte ► Allgemeine Geschichte ► Vor- und Frühgeschichte | |
Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
ISBN-10 | 1-107-19266-8 / 1107192668 |
ISBN-13 | 978-1-107-19266-9 / 9781107192669 |
Zustand | Neuware |
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