British Musical Modernism
Cambridge University Press (Verlag)
978-1-316-64952-7 (ISBN)
British Musical Modernism explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity.
Philip Rupprecht is Associate Professor of Music at Duke University, North Carolina. He has published widely on twentieth-century British music and his books include Britten's Musical Language (Cambridge, 2002) and two edited volumes, Rethinking Britten (2013) and Tonality 1900–1950: Concept and Practice (2012). He is also the recipient of fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Wolfe Institute, Brooklyn College.
Introduction; 1. Between nationalism and the avant garde: defining British modernism; 2. Post-war motifs; 3. Manchester avant-garde: Goehr, Davies and Birtwistle to 1960; 4. A Manchester generation in Paris, London, and Rome: Musgrave, Maw, Crosse, and Bennett; 5. Group portrait in the sixties: Davies, Birtwistle and Goehr to 1967; 6. Instrumental drama: Musgrave and Birtwistle in the sixties; 7. Vernaculars: Bedford and Souster as pop musicians; 8. The incurably heterogeneous Tim Souster: between Elektronische Musik and pop; Epilogue.
| Erscheinungsdatum | 02.06.2017 |
|---|---|
| Reihe/Serie | Music since 1900 |
| Zusatzinfo | Worked examples or Exercises; 93 Printed music items; 7 Halftones, unspecified; 7 Halftones, black and white; 6 Line drawings, black and white |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 168 x 243 mm |
| Gewicht | 860 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Geschichte ► Allgemeine Geschichte ► Zeitgeschichte | |
| Medizin / Pharmazie | |
| Sozialwissenschaften | |
| ISBN-10 | 1-316-64952-0 / 1316649520 |
| ISBN-13 | 978-1-316-64952-7 / 9781316649527 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
