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Lycurgan Athens and the Making of Classical Tragedy - Johanna Hanink

Lycurgan Athens and the Making of Classical Tragedy

(Autor)

Buch | Softcover
296 Seiten
2017
Cambridge University Press (Verlag)
978-1-107-69750-8 (ISBN)
CHF 47,90 inkl. MwSt
The Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. This study marks the first account of how Athens constructed its theatrical past and sheds new light upon the interaction between the city's literary and political history.
Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history.

Johanna Hanink is Assistant Professor of Classics and Robert Gale Noyes Assistant Professor of Humanities at Brown University, Rhode Island, where she is also a member of the Graduate Field Faculty in the Department of Theatre Arts and Performance Studies. She works primarily on the intellectual and performance cultures of classical Athens and has published widely on Athenian tragedy and its reception in antiquity.

Introduction: through the Lycurgan looking glass; Part I. Classical Tragedy and the Lycurgan Programme: 1. Civic poetry in Lycurgus' Against Leocrates; 2. Scripts and statues, or a law of Lycurgus' own; 3. Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus; Part II. Reading the Theatrical Heritage: 4. Courtroom drama: Aeschines and Demosthenes; 5. Classical tragedy and its comic lovers; 6. Aristotle and the theatre of Athens; Epilogue: classical tragedy in the age of Macedon.

Erscheinungsdatum
Reihe/Serie Cambridge Classical Studies
Zusatzinfo 1 Tables, black and white; 6 Halftones, unspecified; 6 Halftones, black and white; 2 Line drawings, black and white
Verlagsort Cambridge
Sprache englisch
Maße 140 x 216 mm
Gewicht 380 g
Themenwelt Geisteswissenschaften Archäologie
Geschichte Allgemeine Geschichte Vor- und Frühgeschichte
Geschichte Allgemeine Geschichte Altertum / Antike
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geisteswissenschaften Philosophie Philosophie Altertum / Antike
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-107-69750-6 / 1107697506
ISBN-13 978-1-107-69750-8 / 9781107697508
Zustand Neuware
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