The Death of the Actor
Shakespeare on Page and Stage
Seiten
1991
Routledge (Verlag)
978-0-415-06148-3 (ISBN)
Routledge (Verlag)
978-0-415-06148-3 (ISBN)
An all-out attack on the contemporary theatrical practice and performance theory that identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare.
In The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare. Because actors are absent from the site of Shakespearean meaning, he argues, the illusion of their centrality is sustained only by a rhetoric of heroism, violence and imperialism.
In The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare. Because actors are absent from the site of Shakespearean meaning, he argues, the illusion of their centrality is sustained only by a rhetoric of heroism, violence and imperialism.
Martin Buzacott
Chapter 1 Bardolatry; Chapter 2 Terrorism; Chapter 3 The Stockholm Syndrome; Chapter 4 Violent Comedy; Chapter 5 The Romantics; Chapter 6 The Disinterested Imagination; Chapter 7 Death of the Actor;
| Erscheint lt. Verlag | 12.12.1991 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Gewicht | 362 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-415-06148-2 / 0415061482 |
| ISBN-13 | 978-0-415-06148-3 / 9780415061483 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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