Killing Poetry
Blackness and the Making of Slam and Spoken Word Communities
Seiten
2017
Rutgers University Press (Verlag)
978-0-8135-8001-2 (ISBN)
Rutgers University Press (Verlag)
978-0-8135-8001-2 (ISBN)
Killing Poetry examines the performance of race as it relates to gender, sexuality, and class in the spoken word communities of Los Angeles, Chicago, and New York. Javon Johnson, a renowned slam poet himself, focuses on how slam poets navigate the diverse poetry scenes in which they perform, as part of the larger world they encounter as Black Americans.
Winner of the 2019 Lilla A. Heston Award
Co-winner of the 2018 Ethnography Division’s Best Book from the NCA
In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications.
In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic.
Killing Poetry—at times autobiographical, poetic, and journalistic—analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve.
Winner of the 2019 Lilla A. Heston Award
Co-winner of the 2018 Ethnography Division’s Best Book from the NCA
In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications.
In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic.
Killing Poetry—at times autobiographical, poetic, and journalistic—analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve.
JAVON JOHNSON is an assistant professor of African American Studies at the University of Nevada, Las Vegas.
Preface
1 Let The Slam Begin: History, Method, and Beyond
2 “This DPL, Come On!”: Black Manhood in the Los Angeles Slam and Spoken Word Scene
3 SlamMasters: Toward Creative and Transformative Justice
4 Button Up: Viral Poetry and Rethinking the Archives
5 Conclusion: “That Is the Slam, Everybody”
Acknowledgments
Glossary
Index
References
| Erscheinungsdatum | 08.08.2017 |
|---|---|
| Verlagsort | New Brunswick NJ |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Gewicht | 227 g |
| Themenwelt | Literatur |
| Kunst / Musik / Theater ► Film / TV | |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-8135-8001-3 / 0813580013 |
| ISBN-13 | 978-0-8135-8001-2 / 9780813580012 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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