The Insistence of Art
Aesthetic Philosophy after Early Modernity
Seiten
2017
Fordham University Press (Verlag)
978-0-8232-7580-9 (ISBN)
Fordham University Press (Verlag)
978-0-8232-7580-9 (ISBN)
The essays in The Insistence of Art suggest ways in which the artworks and practices of the early modern period show the essentiality of aesthetic experience for philosophical reflection, and in particular for the rise of aesthetics as a philosophical discipline, while also showing art’s need for philosophy.
Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another.
Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art’s need for philosophy.
Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another.
Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art’s need for philosophy.
Paul Kottman is Associate Professor of Comparative Literature at the New School for Social Research. He is the author of Love as Human Freedom(forthcoming), Tragic Conditions in Shakespeare: Disinheriting the Globe, and A Politics of the Scene.
| Erscheinungsdatum | 28.03.2017 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Philosophie | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| ISBN-10 | 0-8232-7580-9 / 0823275809 |
| ISBN-13 | 978-0-8232-7580-9 / 9780823275809 |
| Zustand | Neuware |
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