Unearthing Shakespeare
Embodied Performance and the Globe
Seiten
2017
Routledge (Verlag)
978-1-138-67027-3 (ISBN)
Routledge (Verlag)
978-1-138-67027-3 (ISBN)
What can the Globe Theatre tell us about performing Shakespeare?
Unearthing Shakespeare is the first book to consider what the Globe, today’s replica of Shakespeare’s theatre, can contribute to a practical understanding of Shakespeare’s plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels.
From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.
The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Unearthing Shakespeare is the first book to consider what the Globe, today’s replica of Shakespeare’s theatre, can contribute to a practical understanding of Shakespeare’s plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels.
From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.
The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Valerie Clayman Pye is an Assistant Professor of Theatre in the Department of Theatre, Dance, and Arts Management in the School of Performing Arts at LIU Post, USA.
Preface
Chapter One: Shakespeare’s Theatrical Culture
Chapter Two: Examining the Globe
Chapter Three: Understanding the Text
Chapter Four: Creating Character
Part Two: Actuating Practice
Chapter Five: Activating the Body
Chapter Six: Awakening the Listener
Chapter Seven: Energizing the Language
Chapter Eight: Expanding the Fiction
Chapter Nine: Developing and Playing the Shakespeare Score
Chapter Ten: Rehearsing the Part
Afterword
Appendix A: Exercises for the Classroom
Appendix B: Exercises for Rehearsal
Appendix C: Exercises for Solo Practice
| Erscheinungsdatum | 22.04.2017 |
|---|---|
| Zusatzinfo | 4 Tables, black and white; 11 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Gewicht | 298 g |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-138-67027-8 / 1138670278 |
| ISBN-13 | 978-1-138-67027-3 / 9781138670273 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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