Beyond Unwanted Sound
Noise, Affect and Aesthetic Moralism
Seiten
2017
Bloomsbury Academic USA (Verlag)
978-1-5013-1330-1 (ISBN)
Bloomsbury Academic USA (Verlag)
978-1-5013-1330-1 (ISBN)
Noise is so often a ‘stench in the ear’ – an unpleasant disturbance or an unwelcome distraction. But there is much more to noise than what greets the ear as unwanted sound.
Beyond Unwanted Sound is about noise and how we talk about it. Weaving together affect theory with cybernetics, media histories, acoustic ecology, geo-politics, sonic art practices and a range of noises, Marie Thompson critiques both the conservative politics of silence and transgressive poetics of noise music, each of which position noise as a negative phenomenon. Beyond Unwanted Sound instead aims to account for a broader spectrum of noise, ranging from the exceptional to the banal; the overwhelming to the inaudible; and the destructive to the generative. What connects these various and variable manifestations of noise is not negativity but affectivity. Building on the Spinozist assertion that to exist is to be affected, Beyond Unwanted Sound asserts that to exist is to be affected by noise.
Beyond Unwanted Sound is about noise and how we talk about it. Weaving together affect theory with cybernetics, media histories, acoustic ecology, geo-politics, sonic art practices and a range of noises, Marie Thompson critiques both the conservative politics of silence and transgressive poetics of noise music, each of which position noise as a negative phenomenon. Beyond Unwanted Sound instead aims to account for a broader spectrum of noise, ranging from the exceptional to the banal; the overwhelming to the inaudible; and the destructive to the generative. What connects these various and variable manifestations of noise is not negativity but affectivity. Building on the Spinozist assertion that to exist is to be affected, Beyond Unwanted Sound asserts that to exist is to be affected by noise.
Marie Thompson is a Lecturer in Media, Sound and Culture at Lincoln School of Film and Media, University of Lincoln, UK. She is the co-editor of Sound, Music, Affect: Theorizing Sonic Experience (Bloomsbury, 2013).
Introduction: Noise – A Useless Concept?
Chapter 1: What Noise Has Been: Subject-Oriented and Object-Oriented Definitions
Chapter 2: What Does Noise Do?
Chapter 3: The Parasite and its Milieu
Chapter 4: From Negativity to Affectivity: Thinking of Noise as Affect
Chapter 5: Acoustic Ecology, Aesthetic Moralism and the Politics of Silence
Chapter 6: Exposure, Sensation and the Transgressive Poetics of Noise Music
Conclusion: Broadening the Spectrum
Bibliography
Index
| Erscheinungsdatum | 12.02.2017 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 290 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Geisteswissenschaften ► Philosophie | |
| ISBN-10 | 1-5013-1330-4 / 1501313304 |
| ISBN-13 | 978-1-5013-1330-1 / 9781501313301 |
| Zustand | Neuware |
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