Performing Class in British Popular Music
Seiten
2008
|
1st ed. 2008
Palgrave Macmillan (Verlag)
978-1-349-30495-0 (ISBN)
Palgrave Macmillan (Verlag)
978-1-349-30495-0 (ISBN)
This new study of British popular music shows how it engages with class in mythical ways that allow audiences to perform class-based identities. Case studies on folk rock, punk and indie rock show how this performance works and explore the implications for listeners and audiences.
NATHAN WISEMAN-TROWSE is Senior Lecturer in Popular Culture and Course Leader for the BA in Popular Music at the University of Northampton, UK, as well as being an Executive Board member for the International Association for the Study of Popular Music, UK and Ireland branch.
Introduction: A Class Act Class and Popular Music Theory The Problem of Authenticity Performing Class The Folk Voice Folk Revival and Folk Rock Punk and Hardcore Dream Pop and Madchester Conclusion: A Different Class Notes Bibliography Discography Index
| Erscheinungsdatum | 26.05.2016 |
|---|---|
| Zusatzinfo | VIII, 208 p. |
| Verlagsort | Basingstoke |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften | |
| Technik | |
| Schlagworte | authenticity • Bibliography • Case Studies • music • music theory • Performance |
| ISBN-10 | 1-349-30495-6 / 1349304956 |
| ISBN-13 | 978-1-349-30495-0 / 9781349304950 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
