Musical Encounters with Deleuze and Guattari

Pirkko Moisala, Taru Leppänen, Milla Tiainen, Hanna Väätäinen (Herausgeber)

Buch | Hardcover

256 Seiten

2017
Bloomsbury Academic USA (Verlag)
978-1-5013-1674-6 (ISBN)

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This is the first volume to mobilize encounters between the work of Gilles Deleuze and Félix Guattari and the rich developments in cultural studies of music and sound. The book takes seriously the intellectual and political challenge that the process philosophy of Deleuze and Guattari poses for previous understandings of music as permanent objects and primarily discursive texts. By elaborating on the concepts of Deleuze and Guattari in innovative ways, the chapters of the book demonstrate how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies. The collection pushes notions of music and sound beyond such long-term paradigms as identity thinking, the privileging of signification, and the centrality of the human subject.

The chapters of the volume bring a range of new topics and methodological approaches in contact with Deleuze and Guattari. These span from movement improvisation, jazz and western art music studies, sound and performance art and reality TV talent shows to deaf musicians and indigenous music. The book also highlights such fresh ways of doing analysis and shaping the methodological tools of music and sound studies that are enabled by Deleuze and Guattari’s philosophy. Their philosophy, too, gains renewed capacities and potential when responding to ethnographic, cultural, ethnomusicological, participatory, aesthetic, new materialist, feminist and queer perspectives to music and sound.

Pirkko Moisala is Professor of Musicology and Ethnomusicology at the University of Helsinki. Taru Leppänen is Senior Lecturer in Gender Studies at the University of Turku and Adjunct Professor of Musicology at the Universities of Turku and Helsinki. Milla Tiainen lectures in the Department of Musicology at the University of Helsinki. Hanna Väätäinen is a music and dance scholar who worked as a Senior Research Fellow at the University of Helsinki from 2013 to 2015.

List of Figures
Acknowledgements
Introduction: Musical Encounters with Deleuze and Guattari

Elaborations
Taru Leppänen:
Unfolding Non-Audist Methodologies in Music Research: Signing Hip Hop Artist Signmark and Becoming Deaf with Music
Sally Macarthur:
A Micropolitics of Becoming-Woman and Moya Henderson’s Rinse Cycle
Jay Hammond:
Mattering Black Life:
Time, The Rhizome, and a Gullah-Geechee Politics of Rhythm

Events
Milla Tiainen:
Singing Non Human-Centric Relational Futures – The Algae Opera as an Assemblage
Elizabeth Gould:
Queer Transversal: The Spectacle Adam Lambert
Pirkko Moisala:
‘A People to Come’ in a Himalayan Village Music – A Deleuzian-Guattarian Study of Musical Performance

Experiments
Marie Thompson:
Experimental Music and the Question of What a Body Can Do?
Janne Vanhanen:
Learning to Listen – Inorganization of the Ear
Michelle Duffy:
Listening Assemblages: Re-sounding Place and Mapping the Affects of Sound
Hanna Väätäinen:
Forming Common Notions in a Kinetic Research Collaboration

List of Contributors
Abstracts

Erscheinungsdatum	12.01.2017
Zusatzinfo	10 mono images
Verlagsort	New York
Sprache	englisch
Maße	152 x 229 mm
Gewicht	513 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre
Themenwelt	Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit
ISBN-10	1-5013-1674-5 / 1501316745
ISBN-13	978-1-5013-1674-6 / 9781501316746
Zustand	Neuware