Angel Song: Medieval English Music in History
Routledge (Verlag)
978-1-4724-2568-3 (ISBN)
Lisa Colton is a Senior Lecturer in Music at the University of Huddersfield, where she is also director of the Centre for the Study of Music, Gender and Identity. Her research interests focus on early and contemporary music from historical, critical and analytical perspectives. Lisa Colton’s publications have included articles on medieval motets, manuscript sources, Judith Weir and Lady Gaga. She has co-edited two essay collections: Gender, Age and Musical Creativity (with Catherine Haworth), and Sources of Identity: Makers, owners and users of music sources before 1600 (with Tim Shephard).
Contents
Introduction ‘Merrie England’, Cultural Memory and the Writing of English Musical History
Chapter 1 ‘The greatest musical curiosity extant’: ‘Sumer is icumen in’ and the Canon of English music
Chapter 2 Anglicus angelicus: Was English Music Political?
Chapter 3 Authorship, Musicianship and Value in Medieval English History
Chapter 4 Who was John Dunstaple?
Chapter 5 Negotiating Identity in Medieval English Music: Anxiety and Ethnicity
Chapter 6 Contenance angloise: A Reappraisal
Epilogue
Erscheinungsdatum | 14.03.2017 |
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Zusatzinfo | 1 Tables, black and white; 1 Line drawings, black and white; 6 Halftones, black and white; 1 Illustrations, color |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 521 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Geschichte ► Allgemeine Geschichte ► Mittelalter | |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
ISBN-10 | 1-4724-2568-5 / 1472425685 |
ISBN-13 | 978-1-4724-2568-3 / 9781472425683 |
Zustand | Neuware |
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