Making New Music in Cold War Poland
The Warsaw Autumn Festival, 1956-1968
Seiten
2016
University of California Press (Verlag)
978-0-520-29254-3 (ISBN)
University of California Press (Verlag)
978-0-520-29254-3 (ISBN)
Presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. The author examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland.
Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festival's worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music.
Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festival's worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music.
Lisa Jakelski is Associate Professor of Musicology at the Eastman School of Music, University of Rochester.
List of Illustrations and Tables
Acknowledgments
Abbreviations
Introduction
1. The Sounds of Revolution?
2. Building an Empty Frame
3. A Raucous Education
4. From Warsaw to the World
5. Mobilizing Performers, Scores, and Avant-Gardes
6. The Limits of Exchange
Epilogue
Appendix 1: Concert Program of the Warsaw Autumn International Festival of Contemporary Music, 10–21 October 1956
Appendix 2: Biographical Notes
Notes
Bibliography
Index
| Erscheinungsdatum | 24.11.2016 |
|---|---|
| Reihe/Serie | California Studies in 20th-Century Music ; 19 |
| Zusatzinfo | 9 b-w, 3 music ex, 3 tables |
| Verlagsort | Berkerley |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 544 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Geschichte ► Allgemeine Geschichte ► Zeitgeschichte | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| ISBN-10 | 0-520-29254-5 / 0520292545 |
| ISBN-13 | 978-0-520-29254-3 / 9780520292543 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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