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The Routledge Companion to Sound Studies -

The Routledge Companion to Sound Studies

Michael Bull (Herausgeber)

Buch | Hardcover
438 Seiten
2018
Routledge (Verlag)
978-1-138-85425-3 (ISBN)
CHF 369,95 inkl. MwSt
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The Routledge Companion to Sound Studies provides both upper level students and researchers with a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field.
The Routledge Companion to Sound Studies is an extensive volume presenting a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field. Experts from a variety of disciplines within sound studies cover such diverse topics as politics, gender, media, race, literature and sport. Individual sections that consider the importance of sound in an increasingly mediated world; the role that sound media play in the construction of experience; and the ways in which sound has been theorized to produce a distinctive sensory contribution to knowledge.

This wide-ranging and vibrant collection provides a rich resource for scholars and students of media and culture.

Michael Bull is Professor of Sound Studies at the University of Sussex. His works include Sounding Out the City: Personal Stereos and the Management of Everyday life (2000) and Sound Moves: iPod Culture and Urban Experience (2007) He has just completed a monograph on Sirens and is presently writing a monograph on Reinterpreting the Sounds of World War 1. He is the co-founding editor of the journals Senses and Society and Sound Studies (both with Routledge) and is editor of the book series The Study of Sound.

Introduction: Sound Studies and the Art of Listening

Section 1 Introduction: Sonic Epistemologies and Debates






Holger Schulze: Sound As Theory 1863 – 2014: From Hermann von Helmholtz to Salome Voeglin



Mark Grimshaw: What is Sound Studies?



David Howes: Embodiment and the Senses



Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and Voice.



Neil Verma: The Return to Sound Aesthetics



Christabel Stirling: Sound, Affect, Politics
Section 2Introduction: Sonic Conflicts, Concepts and Culture




Richard Rath: Silence and Noise



Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements



David Goodman: Propaganda and Sound



Alex Corey: Sounding Out Racial Difference



Marie Thompson: Gendered Sound



Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner Space



Jonathan Pieslak: Sound and terrorism: Exploring the World of the Islamic State
Section 3Introduction: Sonic Spaces and Places




John M. Picker: The Turning of a Word: Soundscape to Soundscapes



Tim Edensor: The Sonic Rhythms of Place



Bennett Hogg: Geographies of Silence



Meri Kyto: Public and Private Space: Sound Transformations



Yiu-Fai Chow: Diaspora as Method. Music as Hope
Section 4 Introduction: Sonic Skills: Finding, Recording and Researching.




Salome Voeglin: Technologies of Sound Art



Carolyn Birdsall: Found in Translation: Recording, Storing and Writing of sounds



Shannon Mattern: Sonic Archaeologies



Blake Durham: Curating Online Sounds



Tom Rice: Ethnographies of Sound



Frauke Berendt: Soundwalking



Paul Nataraj: Surface Tension: Sheena and Bowie’s ‘Station to Station’ as Palimpsest.


Section 5 Introduction: Technology, Culture and Sonic Experience.




Julian Henriques and Hillegonda C Rietveld: Echo



Thor Magnusson: Sound and Music in Networked Media



Louis Neibur: Ordinary and Avant-Garde Sound in British Radio’s Early Years.



Jacob Smith: Remastering the Recording Angel



Alex Russo: Radio Sound



Tom Artiss: Structures of Sonic feeling.



Cara Wallis: Gender and the Telephonic Voice.
Section 6 Introduction: Sound Connections




James Mansell: Ways of Hearing: Sound, Culture and History



Justin St Clair: Literature and Sound



Martyn Hudson: The Sociology of Sound



Ian Reyes: Popular Music as Sound and Listening



Tim Wall: Radio Sound



Ben Powis and Thomas F. Carter: Sporting sounds

Erscheinungsdatum
Reihe/Serie Routledge Media and Cultural Studies Companions
Zusatzinfo 1 Tables, black and white
Verlagsort London
Sprache englisch
Maße 174 x 246 mm
Gewicht 950 g
Themenwelt Geisteswissenschaften Geschichte
Sozialwissenschaften Kommunikation / Medien Allgemeines / Lexika
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-138-85425-5 / 1138854255
ISBN-13 978-1-138-85425-3 / 9781138854253
Zustand Neuware
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