The Slave Ship, Memory and the Origin of Modernity
Routledge (Verlag)
978-1-4724-5343-3 (ISBN)
Martyn Hudson directs the Co-Curate North East Programme at Newcastle University and works on the relations between sound archives, history, and social machines with a specific interest in web-based slave databases and archives. He has directed arts and history projects with refugees, trauma and torture survivors and trafficked migrants and is currently working with projects to support new boat peoples like the Rohingya and in music projects to support trauma recovery.
Introduction: the slave ship, memory and the origin of modernity
1. The sea, the passage, and slavery
2. The dark hold: the slave ship and the middle passage
3. Marx and the pirates: ‘forcing houses of internationalism’ and the nautical proletariat
4. Wooden life-worlds: memory studies and the experience of slavery
5. The slave ship, plantations and materiality of memory
6. The passage, syncretic memory and sound
7. Traces, memory, and the human
Conclusions - memory, slavery, modernity
References
Index
Erscheinungsdatum | 09.01.2016 |
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Reihe/Serie | Memory Studies: Global Constellations |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Geisteswissenschaften ► Geschichte ► Allgemeine Geschichte |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
Geschichte ► Teilgebiete der Geschichte ► Wirtschaftsgeschichte | |
ISBN-10 | 1-4724-5343-3 / 1472453433 |
ISBN-13 | 978-1-4724-5343-3 / 9781472453433 |
Zustand | Neuware |
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