The Sonic Self
Musical Subjectivity and Signification
Seiten
2001
Indiana University Press (Verlag)
978-0-253-21393-8 (ISBN)
Indiana University Press (Verlag)
978-0-253-21393-8 (ISBN)
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Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features, not only of the work but of the performer as well - and how the listener goes about interpreting the performers and listener's identity as well.
Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of her work but of the performer as well - and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but the performer's and listener's identities as well. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives.
Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of her work but of the performer as well - and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but the performer's and listener's identities as well. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives.
Reihe/Serie | Advances in Semiotics |
---|---|
Zusatzinfo | 1 b&w photo |
Verlagsort | Bloomington, IN |
Sprache | englisch |
Maße | 156 x 235 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Geisteswissenschaften ► Philosophie | |
ISBN-10 | 0-253-21393-2 / 0253213932 |
ISBN-13 | 978-0-253-21393-8 / 9780253213938 |
Zustand | Neuware |
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