Ethics, Justice, Embodiment, and Global Film
Cinematic Provocations
Seiten
2025
Routledge (Verlag)
978-1-138-94777-1 (ISBN)
Routledge (Verlag)
978-1-138-94777-1 (ISBN)
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This book is a study in film and philosophy that explores the intersection of global post-fascist cinema, ethics and justice, and screen bodies. It addresses the question "What is the good of film experience?" by staging an encounter between Levinasian-Derridean concerns over ethics and justice and cinematic engagements with issues of embodied and haptic response. In the end, this book argues such international filmmaking provokes us to respond through a redeployment of our questions of ethics and justice as well as our questions of film making and experiencing.
Brian Bergen-Aurand is Assistant Professor of English and Film in the School of Humanities and Social Sciences at Nanyang Technological University, Singapore
1. Film/Ethics I—What is the Good of Film Experience? 2. Regarding Anna—Michelangelo Antonioni 3. "The Artist’s Responsibility"—Andrei Tarkovsky 4. The Ethics of Freeze Frames—Nagisa Oshima 5. The Anarchy of Film Bodies—Rainer Werner Fassbinder 6. On the Verge of the Pornographic—Pedro Almodóvar 7. Friend Good—Jay Rosenblatt 8. Inappropriate Cinema—Deris Zaim 9. Film/Ethics II—Critically Provoked
Erscheint lt. Verlag | 3.2.2025 |
---|---|
Reihe/Serie | Routledge Advances in Film Studies |
Verlagsort | London |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Kunst / Musik / Theater ► Theater / Ballett | |
Geisteswissenschaften ► Philosophie ► Ethik | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-138-94777-6 / 1138947776 |
ISBN-13 | 978-1-138-94777-1 / 9781138947771 |
Zustand | Neuware |
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