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Hesiod's Theogony - Stephen Scully

Hesiod's Theogony

From Near Eastern Creation Myths to Paradise Lost

(Autor)

Buch | Hardcover
288 Seiten
2015
Oxford University Press Inc (Verlag)
978-0-19-025396-7 (ISBN)
CHF 154,15 inkl. MwSt
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Stephen Scully offers a reading of Hesiod's Theogony and an account of the poem's classical and post-classical reception up to Milton's Paradise Lost. He proposes that the poem be read as a hymn to Zeus and a city-state creation myth, and discusses Hesiod's artful narrative style in relation to Homer's.
Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "soar above th' Aonian Mount [i.e., the Theogony] ... and justify the ways of God to men." Scully also considers the poem in light of Near Eastern creation stories, including the Enûma elish and Genesis, as well as the most striking of modern "scientific myths," Freud's Civilization and its Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a city-state creation myth, arguing that Olympus is portrayed as an idealized polity and - with but one exception - a place of communal harmony. This reading informs his study of the Theogony's reception in later writings about polity, discord, and justice. The rich and various story of reception pays particular attention to the long Homeric Hymns, Solon, the Presocratics, Pindar, Aeschylus, Aristophanes, and Plato in the Archaic and Classical periods; to the Alexandrian scholars, Callimachus, Euhemerus, and the Stoics in the Hellenistic period; to Ovid, Apollodorus, Lucan, a few Church fathers, and the Neoplatonists in the Roman period. Tracing the poem's reception in the Byzantine, medieval, and early Renaissance, including Petrarch and Erasmus, the book ends with a lengthy exploration of Milton's imitations of the poem in Paradise Lost. Scully also compares what he considers Hesiod's artful interplay of narrative, genealogical lists, and keen use of personified abstractions in the Theogony to Homeric narrative techniques and treatment of epic verse.

Stephen Scully is Associate Professor of Classical Studies at Boston University. He has published on Homer, Hesiod, Sophocles, Plato, Vergil, George Chapman, and Freud. His books include Homer and the Sacred City (Cornell, 1990), Euripides' Suppliant Women, with Rosanna Warren, translation, essay, and notes (Oxford, 1995), and Plato's Phaedrus, translation, essay, and notes (Focus Publishing, 2003).

Acknowledgements ; Introduction ; Chapter I: Points of Comparison: Hesiod and Homer; the Theogony and Genesis ; Chapter II: The Theogony ; Chapter III: The Theogony and Eastern Parallels: City-State Succession Myths? ; Chapter IV: The Theogony in the Archaic and Classical periods ; Chapter V: Echoes of the Theogony in the Hellenistic and Roman periods ; Chapter VI: Theogonic shadows: Byzantine, Medieval and Renaissance, Milton's Paradise Lost ; Bibliography

Erscheint lt. Verlag 14.4.2016
Zusatzinfo 11 illustrations
Verlagsort New York
Sprache englisch
Maße 236 x 155 mm
Gewicht 544 g
Themenwelt Geschichte Allgemeine Geschichte Altertum / Antike
Geisteswissenschaften Philosophie Philosophie Altertum / Antike
Geisteswissenschaften Religion / Theologie
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-19-025396-7 / 0190253967
ISBN-13 978-0-19-025396-7 / 9780190253967
Zustand Neuware
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