Birth of an Industry
Blackface Minstrelsy and the Rise of American Animation
Seiten
2015
Duke University Press (Verlag)
978-0-8223-5852-7 (ISBN)
Duke University Press (Verlag)
978-0-8223-5852-7 (ISBN)
Nicholas Sammond argues that early cartoons are a key components to blackface minstrelsy and that cartoon characters such as Mickey Mouse and Felix the Cat are not like minstrels, but are minstrels. Cartoons have played on racial anxieties, naturalized racial formations, committed symbolic racial violence, and help perpetuate blackface minstrelsy.
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. He is the author of Babes in Tomorrowland: Walt Disney and the Making of the American Child, 1930-60, and the editor of Steel Chair to the Head: Essays on Professional Wrestling, both also published by Duke University Press.
Note on the Companion Website ix
Acknowledgments xi
Introduction. Biting the Invisible Hand 1
1. Performance 33
2. Labor 87
3. Space 135
4. Race 203
Conclusion. The "New" Blackface 267
Notes 307
Bibliography 351
Index 365
| Erscheint lt. Verlag | 11.9.2015 |
|---|---|
| Zusatzinfo | 134 illustrations |
| Verlagsort | North Carolina |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 544 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-8223-5852-2 / 0822358522 |
| ISBN-13 | 978-0-8223-5852-7 / 9780822358527 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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