French Music and Jazz in Conversation (eBook)

From Debussy to Brubeck

Deborah Mawer (Autor)

eBook Download: PDF

2014 | 1. Auflage
Cambridge University Press (Verlag)
978-1-316-19094-4 (ISBN)

Infos

French concert music and jazz often enjoyed a special creative exchange across the period 1900–1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.

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French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. However, despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.

Produkt-Details

• Erscheint lt. Verlag: 4.12.2014
• Sprache: englisch
• Themenwelt: Kunst / Musik / Theater ► Musik ► Instrumentenkunde
• Themenwelt: Kunst / Musik / Theater ► Musik ► Jazz / Blues
• Themenwelt: Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical
• Themenwelt: Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre
• Themenwelt: Geisteswissenschaften ► Geschichte
• ISBN-10: 1-316-19094-3 / 1316190943
• ISBN-13: 978-1-316-19094-4 / 9781316190944