Remembering French Algeria
Pieds-Noirs, Identity, and Exile
Seiten
2015
University of Nebraska Press (Verlag)
978-0-8032-6490-8 (ISBN)
University of Nebraska Press (Verlag)
978-0-8032-6490-8 (ISBN)
Colonized by the French in 1830, Algeria was an important French settler colony that, unlike its neighbors, endured a lengthy and brutal war for independence from 1954 to 1962. The nearly one million Pieds-Noirs (literally “black-feet”) were former French citizens of Algeria who suffered a traumatic departure from their homes and discrimination upon arrival in France. In response, the once heterogeneous group unified as a community as it struggled to maintain an identity and keep the memory of colonial Algeria alive.
Remembering French Algeria examines the written and visual re-creation of Algeria by the former French citizens of Algeria from 1962 to the present. By detailing the preservation and transmission of memory prompted by this traumatic experience, Amy L. Hubbell demonstrates how colonial identity is encountered, reworked, and sustained in Pied-Noir literature and film, with the device of repetition functioning in these literary and visual texts to create a unified and nostalgic version of the past. At the same time, however, the Pieds-Noirs’ compulsion to return compromises these efforts. Taking Albert Camus’s Le Mythe de Sisyphe and his subsequent essays on ruins as a metaphor for Pied-Noir identity, this book studies autobiographical accounts by Marie Cardinal, Jacques Derrida, Hélène Cixous, and Leïla Sebbar, as well as lesser-known Algerian-born French citizens, to analyze movement as a destabilizing and productive approach to the past.
Remembering French Algeria examines the written and visual re-creation of Algeria by the former French citizens of Algeria from 1962 to the present. By detailing the preservation and transmission of memory prompted by this traumatic experience, Amy L. Hubbell demonstrates how colonial identity is encountered, reworked, and sustained in Pied-Noir literature and film, with the device of repetition functioning in these literary and visual texts to create a unified and nostalgic version of the past. At the same time, however, the Pieds-Noirs’ compulsion to return compromises these efforts. Taking Albert Camus’s Le Mythe de Sisyphe and his subsequent essays on ruins as a metaphor for Pied-Noir identity, this book studies autobiographical accounts by Marie Cardinal, Jacques Derrida, Hélène Cixous, and Leïla Sebbar, as well as lesser-known Algerian-born French citizens, to analyze movement as a destabilizing and productive approach to the past.
Amy L. Hubbell is a lecturer in French at the University of Queensland. She is the coeditor of Textual and Visual Selves: Photography, Film, and Comic Art in French Autobiography (Nebraska, 2011).
Preface Acknowledgments Note on Translations
1. Introduction: Narrative Strategies in Rewriting Algeria
Part 1. Repeat2. The Pieds-Noirs: Fighting against Forgetting 3. Fixing the Past: Marie Cardinal’s La Mule de corbillard 4. Pleasures of a Painful Past: Writing to Remember, Writing to Forget
Part 2. Return5. (Re)turning to Algeria: Nostalgia, Imagination, and Writing 6. Real Returns: Confrontation, Blindness, and Ruins 7. The Return of Algeria: Relieving and Sustaining the Phantom Limb
Notes Bibliography Index
| Erscheint lt. Verlag | 1.6.2015 |
|---|---|
| Verlagsort | Lincoln |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Romanistik | |
| ISBN-10 | 0-8032-6490-9 / 0803264909 |
| ISBN-13 | 978-0-8032-6490-8 / 9780803264908 |
| Zustand | Neuware |
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