Rhythms of Race
Cuban Musicians and the Making of Latino New York City and Miami, 1940-1960
Seiten
2015
The University of North Carolina Press (Verlag)
978-1-4696-2084-8 (ISBN)
The University of North Carolina Press (Verlag)
978-1-4696-2084-8 (ISBN)
Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities.
Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha chá. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers.
Keeping in view the wider context of the domestic and international entertainment industries, Abreu underscores how the racially diverse musicians in her study were also migrants and laborers. Her focus on the Cuban presence in New York City and Miami before the Cuban Revolution of 1959 offers a much needed critique of the post-1959 bias in Cuban American studies as well as insights into important connections between Cuban migration and other twentieth-century Latino migrations.
Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha chá. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers.
Keeping in view the wider context of the domestic and international entertainment industries, Abreu underscores how the racially diverse musicians in her study were also migrants and laborers. Her focus on the Cuban presence in New York City and Miami before the Cuban Revolution of 1959 offers a much needed critique of the post-1959 bias in Cuban American studies as well as insights into important connections between Cuban migration and other twentieth-century Latino migrations.
Christina D. Abreu is assistant professor of history at Georgia Southern University, USA.
| Erscheint lt. Verlag | 4.5.2015 |
|---|---|
| Reihe/Serie | Envisioning Cuba |
| Zusatzinfo | 6 halftones |
| Verlagsort | Chapel Hill |
| Sprache | englisch |
| Maße | 156 x 235 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-4696-2084-7 / 1469620847 |
| ISBN-13 | 978-1-4696-2084-8 / 9781469620848 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
eine Reise durch die französische Popmusik
Buch | Softcover (2024)
Reclam, Philipp (Verlag)
CHF 26,90
Im engsten Kreis der größten Band der Welt
Buch | Hardcover (2022)
Benevento (Verlag)
CHF 39,90
