In Ruins
Seiten
2002
Vintage (Verlag)
978-0-09-928955-5 (ISBN)
Vintage (Verlag)
978-0-09-928955-5 (ISBN)
Why are we so fascinated by ruins? Woodward looks back to the start of the cult in the 18th century, when follies were built in English landscape gardens. He examines Nazi fantasies, the shattered Statue of Liberty in the film "Planet of the Apes" and the Chelsea Flower Show's "Millennium Ruin".
Why are we so fascinated by ruins? Do we see them as jig-saws and riddles or romantic evocations of the damage of Time, complete with crumbling stone and ivy? Do they stir us to remember past glory or warn against future arrogance? In this elegant, provocative book , the brilliant young art-historian Christopher Woodward looks back to the start of the cult in the eighteenth century, when follies were built in English landscape gardens, artists and writers thrilled to Rome's poetry of decay, and in Paris the great chef Careme even served blancmanges shaped like classical ruins. He takes us from Troy and Pompei to Sicilian palaces and Nazi fantasies, and whirls us forward to modern times - to the shattered Statue of Liberty in Planet of the Apes, to Florida's Museum of Natural Phenomena, designed as a court-house dumped upside-down by a hurricane and to Chelsea Flower Show's brand-new 'Millennium Ruin'. Even the decay of an ordinary house can be as moving as the collapse of a temple - with its fascinating stories and characters, and its telling illustrations, In Ruins is full of strange delights and startling surprises, exploring the mysterious, melancholy charm of eternal fragments.
Why are we so fascinated by ruins? Do we see them as jig-saws and riddles or romantic evocations of the damage of Time, complete with crumbling stone and ivy? Do they stir us to remember past glory or warn against future arrogance? In this elegant, provocative book , the brilliant young art-historian Christopher Woodward looks back to the start of the cult in the eighteenth century, when follies were built in English landscape gardens, artists and writers thrilled to Rome's poetry of decay, and in Paris the great chef Careme even served blancmanges shaped like classical ruins. He takes us from Troy and Pompei to Sicilian palaces and Nazi fantasies, and whirls us forward to modern times - to the shattered Statue of Liberty in Planet of the Apes, to Florida's Museum of Natural Phenomena, designed as a court-house dumped upside-down by a hurricane and to Chelsea Flower Show's brand-new 'Millennium Ruin'. Even the decay of an ordinary house can be as moving as the collapse of a temple - with its fascinating stories and characters, and its telling illustrations, In Ruins is full of strange delights and startling surprises, exploring the mysterious, melancholy charm of eternal fragments.
Christopher Woodward was director of the Holbourne Museum of Art in Bath. His fascination with ruins began as a curator in Sir John Soane's Museum, London, the creation of a visionary architect haunted by the dramatic irony of time. He is the author of In Ruins.
| Erscheint lt. Verlag | 3.10.2002 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 129 x 198 mm |
| Gewicht | 203 g |
| Themenwelt | Literatur ► Romane / Erzählungen |
| Geisteswissenschaften ► Archäologie | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Technik ► Architektur | |
| ISBN-10 | 0-09-928955-5 / 0099289555 |
| ISBN-13 | 978-0-09-928955-5 / 9780099289555 |
| Zustand | Neuware |
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