Artists and Society
Seiten
1997
Manchester University Press (Verlag)
978-0-7190-3636-1 (ISBN)
Manchester University Press (Verlag)
978-0-7190-3636-1 (ISBN)
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Examines painters as a creative professional group in the context of developing German nationalism, and cultural rivalry between Germany and France. It contrasts the careers of officially favoured figures such as Anton with those of controversial figures, like Max Lieberman and Lovis Corinth.
This wide-ranging and original study examines painters as a creative professional group in the context of developing German nationalism, and cultural rivalry between Germany and France. It contrast the careers of officially-favoured figures such as Anton or Werner with those of controversial outsiders like Max Liebermann, Wilhelm Leibl and Lovis Corinth. It explores the links between artists' fortunes, economic and political change, and the shifting relative importance of Germany's major art centres: Dresden, Dusseldorf, Munich and the increasingly wealthy and dynamic Reich capital, Berlin. A central theme is the development of the art market in the vital formative decades between the onset of the industrial revolution and the outbreak of the First World War, a period that witnesses growing market integration, links with tourism and the emergence of a pervasive dealer network. AT the same time private art buying expanded rapidly and Germany's public galleries of modern painting achieved an international stature rivalled only by those of the United States.
This wide-ranging and original study examines painters as a creative professional group in the context of developing German nationalism, and cultural rivalry between Germany and France. It contrast the careers of officially-favoured figures such as Anton or Werner with those of controversial outsiders like Max Liebermann, Wilhelm Leibl and Lovis Corinth. It explores the links between artists' fortunes, economic and political change, and the shifting relative importance of Germany's major art centres: Dresden, Dusseldorf, Munich and the increasingly wealthy and dynamic Reich capital, Berlin. A central theme is the development of the art market in the vital formative decades between the onset of the industrial revolution and the outbreak of the First World War, a period that witnesses growing market integration, links with tourism and the emergence of a pervasive dealer network. AT the same time private art buying expanded rapidly and Germany's public galleries of modern painting achieved an international stature rivalled only by those of the United States.
Introduction - Painting and society in Germany 1850-1914. Part 1 History, art and nation: national symbols; visions of the past; the artist as hero; a 19th-century Renaissance; museums and national art; the eclipse of history-painting. Part 2 Movements: the rise of the small-scale painting; gradations of reality; brush and camera; spirit and flesh; art of the inner eye. Part 3 Centres and colonies: the "big four"; minor centres; elements of an art centre - training; cosmopolitanism; galleries; freedom; artists in the country. Part 4 The market: art unions; salons; dealers and auctioneers; buyers; integration; prices and patronage; diversification; impressionism; selling the "Blue Rider". Epilogue - war and its aftermath.
| Erscheint lt. Verlag | 21.8.1997 |
|---|---|
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Sozialgeschichte | |
| ISBN-10 | 0-7190-3636-4 / 0719036364 |
| ISBN-13 | 978-0-7190-3636-1 / 9780719036361 |
| Zustand | Neuware |
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