The Aesthetics of Music
Seiten
1999
Oxford University Press (Verlag)
978-0-19-816727-3 (ISBN)
Oxford University Press (Verlag)
978-0-19-816727-3 (ISBN)
What is music, what is its value, and what does it mean? In this exciting book, the philosopher Roger Scruton explores the nature and meaning of music from first principles and gives a fascinating analysis of musical organization, together with a provocative account of contemporary civilization and its discontents.
Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples. The book starts from the metaphysics of sound, distinguishes sound from tone, analyses rhythm, melody, and harmony, and develops a novel account of music, as the intentional object of an imaginative perception. The argument explores the various dimensions of musical organization and musical meaning, and shows exactly how and why music is an expressive medium.
The Aesthetics of Music explains and criticizes many fashionable theories in the philosophy and theory of music, and mounts a case for the moral significance of music, its place in our culture, and the need for taste and discrimination in both performer and listener. The various schools of musical analysis are subjected to a critical examination, and recent criticism of tonality, as the foundation of musical order, are rehearsed and rejected. Scruton defends the objectivity of aesthetic values, lays down principles of criticism, and ends with an energetic critique of modern popular music.
Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples. The book starts from the metaphysics of sound, distinguishes sound from tone, analyses rhythm, melody, and harmony, and develops a novel account of music, as the intentional object of an imaginative perception. The argument explores the various dimensions of musical organization and musical meaning, and shows exactly how and why music is an expressive medium.
The Aesthetics of Music explains and criticizes many fashionable theories in the philosophy and theory of music, and mounts a case for the moral significance of music, its place in our culture, and the need for taste and discrimination in both performer and listener. The various schools of musical analysis are subjected to a critical examination, and recent criticism of tonality, as the foundation of musical order, are rehearsed and rejected. Scruton defends the objectivity of aesthetic values, lays down principles of criticism, and ends with an energetic critique of modern popular music.
Roger Scruton is a leading authority on aesthetics, but has also published books on other aspects of philosophy, politics, literature, architecture, and modern culture. Currently a freelance writer and composer, he was previously Professor of Philosophy at Boston University.
Preface ; List of Music Examples ; Note to the Reader ; 1. Sound ; 2. Tone ; 3. Imagination and Metaphor ; 4. Ontology ; 5. Representation ; 6. Expression ; 7. Language ; 8. Understanding ; 9. Tonality ; 10. Form ; 11. Content ; 12. Value ; 13. Analysis ; 14. Performance ; 15. Culture ; Bibliography ; Acknowledgements ; Index
| Erscheint lt. Verlag | 3.6.1999 |
|---|---|
| Zusatzinfo | music examples |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 155 x 234 mm |
| Gewicht | 811 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Geisteswissenschaften ► Philosophie | |
| ISBN-10 | 0-19-816727-X / 019816727X |
| ISBN-13 | 978-0-19-816727-3 / 9780198167273 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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