The Art of Grafted Song
Oxford University Press Inc (Verlag)
978-0-19-991508-8 (ISBN)
Working across disciplinary boundaries, Plumley traces creative appropriations in the burgeoning "fixed forms" of this new tradition to build a more intimate understanding of the shared experience of poetry and music in the generations leading up to, and including, Guillaume de Machaut. Exploring familiar and less studied collections of songs as well as lyrics without music, this book sheds valuable light on the poetic and musical knowledge of authors and their audiences, and on how poets and composers devised their works and engaged their readers or listeners. It presents fresh insights into when and in which milieus the classic Ars nova polyphonic chanson took root and flourished, and into the artistic networks of which Machaut formed a part. As Plumley reveals, old songs lingered alongside the new in the collective imagination well beyond what the written sources imply, reminding us of the continued importance of memory and orality in this age of increasing literacy.
The first detailed study of citational practice in the French fourteenth-century song-writing tradition, The Art of Grafted Song will appeal to students and scholars of medieval French music and literature, cultural historians, and others interested in the historical and social context of music and poetry in the late Middle Ages.
Yolanda Plumley is Professor of Historical Musicology at the University of Exeter. She has published widely on late medieval music and its cultural context and is author of The Grammar of Fourteenth-Century Melody (New York and London, 1996) and (with Anne Stone) of Codex Chantilly, Bibliothèque du Château de Chantilly, MS 564 (Turnhout, 2008), and co-editor of three volumes of essays on late medieval and Renaissance culture.
Preface with Acknowledgements ; Abbreviations ; Introduction ; Part One: Citation, Genre, and Experiments in Song in the early Fourteenth Century ; 1. Cantilena entata: Etymologies and the Grafted Song ca. 1300 ; 2. Grafting song in Paris: The Lyric Works of Jehannot de Lescurel ; 3. Experimental Song-Writing in the Roman de Fauvel ; Part Two: Performing Citation in Court and City: The Rise of the Fixed Forms ; 4. Performing Nonsense at Court: Watriquet de Couvin's Fastras ; 5. Citation and Ritual at the Puys of Valenciennes and Paris ; 6. Jehan de le Mote and the Rise of the Ballade ; 7. Citing the Classics: Mythological Ballades by Le Mote, Vitry, and Campion ; Part Three: Machaut and the Art of Grafted Song ; 8. Machaut's Heritage: Tracing Citations in his Lyrics and Songs ; 9. Self-Citation and Lyric Process in La Loange des dames ; 10. The Dynamics of Duplication: Staging Debate in Machaut's Voir Dit ; Epilogue ; Bibliography
| Zusatzinfo | 52 figures, 7 tables, 62 poetry examples |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 236 x 163 mm |
| Gewicht | 816 g |
| Themenwelt | Literatur ► Klassiker / Moderne Klassiker |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Geschichte ► Allgemeine Geschichte ► Mittelalter | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-19-991508-3 / 0199915083 |
| ISBN-13 | 978-0-19-991508-8 / 9780199915088 |
| Zustand | Neuware |
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