Images, Iconoclasm, and the Carolingians
Seiten
2013
University of Pennsylvania Press (Verlag)
978-0-8122-2256-2 (ISBN)
University of Pennsylvania Press (Verlag)
978-0-8122-2256-2 (ISBN)
In eighth- and ninth-century Byzantium there arose a heated controversy over religious art, known as the "Iconoclastic Controversy." Analyzing hundreds of pages of art-texts, laws, letters, and poems, this book examines the wider context of the debate by providing the first comprehensive study of the Western response to Byzantine iconoclasm.
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated.
The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art.
Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated.
The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art.
Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.
Thomas F. X. Noble is Professor of History at the University of Notre Dame. He is author of several books, including The Republic of St. Peter: The Birth of the Papal State, 680-825, also available from the University of Pennsylvania Press.
Introduction
Chapter One: Art, Icons, and Their Critics and Defenders Before the Age of Iconoclasm
Chapter Two: Byzantine Iconoclasm in the Eighth Century
Chapter Three: Art and Art Talk in the West in the First Age of Iconoclasm
Chapter Four: The Franks and Nicaea: Opus Caroli Regis
Chapter Five: Tradition, Order, and Worship in the Age of Charlemagne
Chapter Six: The Age of Second Iconoclasm
Chapter Seven: Art and Argument in the Age of Louis the Pious
Conclusion
Notes
Bibliography
Index
Acknowledgments
| Reihe/Serie | The Middle Ages Series |
|---|---|
| Verlagsort | Pennsylvania |
| Sprache | englisch |
| Maße | 155 x 235 mm |
| Themenwelt | Geschichte ► Allgemeine Geschichte ► Mittelalter |
| Religion / Theologie ► Christentum ► Kirchengeschichte | |
| Religion / Theologie ► Christentum ► Liturgik / Homiletik | |
| ISBN-10 | 0-8122-2256-3 / 0812222563 |
| ISBN-13 | 978-0-8122-2256-2 / 9780812222562 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
eine neue Geschichte des Mittelalters
Buch | Hardcover (2023)
C.H.Beck (Verlag)
CHF 53,20
